- From: Tal Leming <tal@typesupply.com>
- Date: Wed, 8 Jul 2009 13:18:50 -0400
- To: "Tab Atkins Jr." <jackalmage@gmail.com>
- Cc: John Hudson <tiro@tiro.com>, Thomas Lord <lord@emf.net>, www-font <www-font@w3.org>
On Jul 8, 2009, at 12:36 PM, Tab Atkins Jr. wrote: > On Wed, Jul 8, 2009 at 11:26 AM, Tal Leming<tal@typesupply.com> wrote: >> On Jul 8, 2009, at 11:45 AM, Tab Atkins Jr. wrote: >>> Note, though, that Hudson was talking about people who >>> *commissioned* >>> fonts for their own use, rather than just ones who bought a >>> license on >>> an existing font. The latter situation is actually more >>> understandable, from a "well if I have to pay for it, you should >>> too" >>> eye-for-an-eye perspective. Having a font commissioned, though, is >>> something different. >> >> How? > > Before commissioning a font, it doesn't exist. Time and skill has to > be spent to create it. It thus makes sense that commissioning a font > should cost money - you're paying for a scarce good (the act of > creation). > > The font itself, though, is an infinite good. It can be perfectly > mass-copied for free. Sharing it doesn't require any effort at all, > unlike commissioning it. > > My point is then that, since paying to commission a font is natural, > you shouldn't get any weird 'fairness' feelings making you think that > other people should morally pay as well to receive it. On the other > hand, since having to pay for a copy of a font is a fundamentally odd > thing, it can understandably produce "misery loves company" feelings. I'm sorry, but this doesn't make any sense. I'm pretty good at seeing all points in an argument but you've absolutely lost me. I think this is a philosophical argument that doesn't have much relevance to the discussion at hand. Tal
Received on Wednesday, 8 July 2009 17:20:00 UTC