- From: Clive Bruton <Clive@typonaut.demon.co.uk>
- Date: Mon, 12 Aug 96 19:05:18 +0000
- To: www-font@w3.org
Bill Hill Wrote: >The problems of IPR for fonts are, as you point out, not much different to the >problems of IPR for other "creative works" on the Net, such as photographs and >graphics, and in fact, the font embedding scheme which we are proposing gives >greater protection to fonts than exists today for other creative works. In many ways there is little difference between various forms of Intellectual Property, but fonts will *always* be different. 1 Whereas many other media have protection from copying their forms fonts do not. Anyone can copy a type design and call it their own. The only things about fonts that are protected in US law is their trade marked name, and the data in the case of a digitised font. Note: the latter case is yet to be proven in a US court. 2 Unlike photographs or illustrations fonts are tools in their own right, they can be used to create new works. 3 Almost without exception fonts exist today in a resolution independent manner on the Net, this resolution independence can quickly be translated into platform or device independence. 4 A font is the carrier of its own source code. All information needed to re-engineer a font is contained within it. Many large companies give free software out on the net, to promote other products in most cases, how many of them give out source code? 5 For many type designers and small "foundries" fonts are their only end product, there is nothing for them to cross-subsidise against. Yes vector based fonts on the Net make sense, but I'd rather spend 18 months discussing it and getting it right than rushing out a solution that destroys the IPR of many small companies and individuals. What opportunities will be lost by taking time to sort it out properly, only the leverage of larger companies that can afford to subsidise type output through other profit centres. -- Clive
Received on Monday, 12 August 1996 14:10:14 UTC