- From: Alan Stearns <stearns@adobe.com>
- Date: Thu, 7 Apr 2016 00:41:23 +0000
- To: fantasai <fantasai.lists@inkedblade.net>, "www-style@w3.org" <www-style@w3.org>
On 4/6/16, 5:34 PM, "fantasai" <fantasai.lists@inkedblade.net> wrote: >On 04/06/2016 08:22 PM, Alan Stearns wrote: >> On 4/6/16, 5:12 PM, "fantasai" <fantasai.lists@inkedblade.net> wrote: >> >>> On 04/06/2016 07:33 PM, Alan Stearns wrote: >>>> >>>> Elika, Koji - what do you think? >>> >>> Overall I think it sounds very complicated... and I'm not convinced >>> it'll work that great in practice. Wouldn't it make more sense to >>> be able to have a kerning value for the start/end of the line and >>> to have a switch to just turn that on? That way the font designer >>> can do full-on optical alignment, which is the goal in Western >>> hanging punctuation anyway. >> >> No, because it depends on the character - as Jon noted. A hyphen >> should hang completely off the edge, while an em-dash might only >> hang halfway. Optical alignment takes a look at the shape of the >> glyph and makes individual adjustments, it doesn’t apply a single >> kerning value. > >I think you didn't understand what I meant... I meant pairs kerning, >which would be able to handle this perfectly. You just have one of >the possible "glyphs" in the pair be SOL or EOL. Ah! Yes, that could work - and we’ve entertained the idea of letting authors define pair-kern data before. But I think that would have to be font-specific, and apply only when the font matches for both items in the pair. So that quickly becomes complicated, too :) Thanks, Alan
Received on Thursday, 7 April 2016 00:41:52 UTC