- From: Henri Sivonen <hsivonen@iki.fi>
- Date: Wed, 7 Mar 2012 09:20:17 +0200
- To: John Simmons <johnsim@microsoft.com>
- Cc: Mark Watson <watsonm@netflix.com>, "Tab Atkins Jr." <jackalmage@gmail.com>, Glenn Adams <glenn@skynav.com>, Silvia Pfeiffer <silviapfeiffer1@gmail.com>, "<public-html@w3.org>" <public-html@w3.org>
On Mon, Mar 5, 2012 at 6:05 PM, John Simmons <johnsim@microsoft.com> wrote: > This is not a proposal to enable Netflix. This is a proposal to enable interoperable commercial video delivery, meeting the requirements of that industry, and that interoperability depends upon standards. 1) Commercial video is already possible with the current feature set of HTML. It's possible to create a Web site that doesn't grant access to a DRMless video until the client shows a cookie that the client can get only by paying first. That is, Louis C.K.'s model is already technically enabled by HTML even though his streaming option used Flash. (Also, commercial text and commercial images have existed on the Web for a long time without DRM. When browser vendors refused font DRM, commercial fonts came to the Web anyway. First, commercial music supposedly required DRM but then the music industry dropped DRM and the sky didn't fall.) 2) It seem bogus to talk about enabling something "interoperable" when crucial parts of the system have been left undefined. 3) In practice, this proposal is about changing the Web to meet Hollywood's requirements, since Hollywood both insists on DRM and has content that's in enough demand that everyone doesn't just laugh their DRM demands off. Since Netflix has successfully licensed Hollywood content for rental via an NPAPI plug-in, it seems highly relevant to study Netflix. In particular, Netflix shows the requirement ceiling (for the titles available on Netflix). Now it would be useful to understand the short-term requirement floor for Hollywood movies. (It seems that long-term, the requirement floor is no DRM considering the precedent of music sales and the precedent of Hollywood movies being available for digital broadcast in standard definition without DRM.) > The consequences of not supporting this type of proposal will not be that the commercial video industry abandons DRM or adopts clearkey. The consequence will be that they continue to use native applications and plug-ins to support the level of content and service protection that they require. Hollywood content sticking to native apps until they give up on DRM seems like a healthier option for the Web, since it wouldn't harm competition between browsers on operating systems that allow the installation of different browsers. For example, renting movies from iTunes doesn't tilt the browser playing field in favor of Safari. -- Henri Sivonen hsivonen@iki.fi http://hsivonen.iki.fi/
Received on Wednesday, 7 March 2012 07:20:51 UTC