- From: Tab Atkins Jr. <jackalmage@gmail.com>
- Date: Fri, 19 Mar 2010 06:57:02 -0700
- To: John Daggett <jdaggett@mozilla.com>
- Cc: www-style <www-style@w3.org>, Christopher Slye <cslye@adobe.com>
On Fri, Mar 19, 2010 at 12:49 AM, John Daggett <jdaggett@mozilla.com> wrote: > Tab Atkins Jr. wrote: > >>>> Otherwise, fantasai's alt-set idea seems like an interesting solution >>>> to Daggett's objections. >>> >>> As much as I agree with John's aversion to code clutter, I do think >>> that it's better to keep these things tied to specific fonts, one way >>> or another. That said, I don't think John's solution would be the end >>> of the world. We already have this problem in desktop apps like >>> InDesign, which preserve these kinds of font-specific substitutions. I >>> don't think it's had a big real-world impact yet. Maybe someday it >>> will. >> >> Still a fundamentally different set of problems, though. If InDesign >> preserves the substitutions, it's merely an annoyance when you notice >> that the new font you're using has weird substitutions. In CSS, the >> weird substitutions will often/nearly always occur in a fallback font >> that the author *never sees*, and thus won't have an immediate clue that >> there's a problem. > > Are you thinking of fallback within a given font list or in the system > fallback case? What are the "weird substitutions" here, the use of a > different font or the use of strange variants? > > Put another way, in the example below is the "weird substitution" the use > of fontB? Or the use of a font chosen by the user-agent when all three > fonts in the font list aren't available or don't contain a given character? > > body { font-family: fontA, fontB, fontC; } Neither. The "weird substitutions" I was referring to were the algternate glyphs from particular stylesets in the font. They qualify as "weird" because they are different from the alternate glyphs in the original font used. ~TJ
Received on Friday, 19 March 2010 13:57:59 UTC