- From: David Woolley <forums@david-woolley.me.uk>
- Date: Thu, 13 Nov 2008 23:21:03 +0000
- To: www-style@w3.org
Philip TAYLOR wrote: > > of the prime causes of opposition to font DRM. If > I buy the TrueType version of Linotype Times-Roman, > should I really need to buy another licence if one > of my applications requires instead that the font > be in Type-1 format ? I believe not, just as I There is a branding/design integrity issue here, as well as a copyright one. Truetype and Type 1 use different splines (one cubic and one quadratic) and use radically different hinting mechanisms. The result of a conversion is a degraded font, and I doubt that many commercial designers would consider it acceptable to use their font in any form that does not work exactly like the form in which it left them. > believe that I have every right to save a commercial > DVD in DixV format /for my own personal use/, This was and still may be illegal in the UK; legislation to make it legal (at least for the CD to MP3 case) was being discussed earlier this year and may now have been enacted. What such legislation is really doing is giving into one small aspect of the conflict between how ordinary people think intellectual property should work and how IPR based businesses, and the law, believe it should work. At least one of the fears of the font vendors must be that the man in the street will believe they have a moral right to use any font they find on the web (although such users are unlikely to buy, so maybe don't pose a real risk - I've heard rumours that some software vendors tolerate high levels of home user piracy, because it creates a market for the software from business users, who they can exploit for revenue). -- David Woolley Emails are not formal business letters, whatever businesses may want. RFC1855 says there should be an address here, but, in a world of spam, that is no longer good advice, as archive address hiding may not work.
Received on Thursday, 13 November 2008 23:22:32 UTC