- From: Henri Sivonen <hsivonen@iki.fi>
- Date: Thu, 6 Nov 2003 22:14:25 +0200
- To: Tex Texin <tex@i18nguy.com>
- Cc: www style <www-style@w3.org>, W3c I18n Group <w3c-i18n-ig@w3.org>
On Tuesday, Oct 21, 2003, at 08:21 Europe/Helsinki, Tex Texin wrote:
> I am afraid I don't understand why most everyone is so gloomy on the
> prospect
> of a font being sufficient to enable users of minority scripts.
I'm gloomy about font embedding/automatic downloading, because:
* Considering the precedent with non-CJK Asian scripts, I think font
embedding
is likely to be abused in a way that actually harms Web accessibility
of some scripts. (Prolonging the Latin gibberish approach.)
* Internet Explorer has a large installed base and it has working
support
for font embedding at least for the Windows-1252 repertoire. That is,
there's already a large population of users with a user agent that
supports
font downloading. Still, as far as I know, font embedding isn't used
much
by Western designers. It's not like designers shy away from features
the
just because they are IE-specific. Perhaps there is something
unattractive
about font embedding that outweighs the attractiveness of visual
control.
Something that runs deeper than the currently available method being
IE-specific.
* Font foundries don't want their fonts distributed for free for
everyone.
Compared to some other jurisdictions which don't have any official
copyright
relaxation for fonts, the U.S. Copyright Office stance that a
rendering
produced with a font is not subject to copyright is actually rather
lax.
However, because of this, the font foundries tend to take the stance
that
hinted fonts constitute software, which in turn has exceptionally
strong
corporate protection. Even if font embedding was technically
feasible, what's
the point in putting effort into implementing something that almost
no one
dares use because of legal issues?
* Designers tend to pick fonts they believe "everyone" has. This
includes
mainly Times New Roman, Arial, Verdana and sometimes Georgia. Western
designers in general aren't even using the full font repertoire of
Windows
and Mac OS, because they seem to think consistency across "all"
environments
is more important than picking something less trite that might look
different for different readers. Since designers wouldn't be able to
make
sure embedded fonts work *everywhere*, why would the designers
choose to
embed different fonts if they don't dare to use fonts that a
significant
number of people (but not the supposed "everyone") already has
installed?
What's the point in putting effort into font downloading until
designers embrace the idea that it is OK to have different
fontifications
in different environments? (I think it is unrealistic to expect that
CSS WG-endorsed font referencing would guarantee the same
fontification
everywhere and alleviate the designer concern for sameness.)
* Fonts are rather large (in bytes) relative to the size of usual Web
pages.
The time it takes to download the font may be perceived to be too
long
compared to downloading the text. I don't believe font embedding
would
actually in practice solve anything for people who want to read
Chinese in a
university in England. The CJK font sizes are just too large compared
to the size of the main content of usual web pages. Also, does
anyone want
a flash of unfontified content (compare with the flash of unstyled
content)?
Deferring the display of the page until the font has arrived would
be a bad
solution. However, a sudden font change after the reader has started
reading
the page would be bad, too.
--
Henri Sivonen
hsivonen@iki.fi
http://www.iki.fi/hsivonen/
Received on Thursday, 6 November 2003 15:14:28 UTC