- From: Chris Lilley <Chris.Lilley@sophia.inria.fr>
- Date: Fri, 9 Aug 1996 13:43:01 +0200 (DST)
- To: lee@sq.com, billhill@microsoft.com, david@verso.com, www-font@w3.org
On Aug 8, 7:36pm, lee@sq.com wrote: > Bill Hill <billhill@microsoft.com> wrote: > > I'd go further. A BIG step backward! > I think I agree, but I also think that if the HTTP proposal for including > client resolution, geometry and colour informatin is included, bitmap > fonts could work. Provided the server was able to generate the requested fonts at the requested color and resolution. This would impact latency a little, and would also impact cacheing performance somewhat. Treating a pixel font (or an outline font rendered with anti-aliasing) as an alpha channel rather than as image data has interesting possibilities, such as true antialiased text of any color on any color background, or foreground images on display type. > The main advantages I see over using individual gifs > are sending multiple images in a single transaction (like HTTP 1.1) Yes, the keepalive could be used for that. Then again, one could define a pixelfont format that puts all the images in one file, either using a format that can contain multiple independent pictures, using a large image with the letters aranged on a grid, or even using a MIME multipart to batch up the individual letters. > and > in positioning to align baselines with surrounding text. The latter > consideration seems to be the more important of the two. It is interesting to study the proposed alIG (alignment) chunk for PNG, which seems to cater for precisely this: http://www.hensa.ac.uk/png/png-group/documents/png-proposed-chunks-0.960710.html > I think that the requests to use bitmap fonts are coming from font > designers who don't want to allow their outline fonts to be embedded, for > fear of copyright infringements and piracy. This is a valid concern > which OpenType must address. Not just Opentype, any font which is used on the Web must adress these concerns. There is a balance to be struck between hindering legitimate use and hindering illegitimate use; just a s there is a balance to be struck by font vendors between focussing on a small number of phototypsetting bureaux and a large number of Web site authors as potential markets. > There are also concerns that a hand-tuned bitmap font can give a better > appearance than an outline font at low resolutions. I think that this is > utter nonsense unless it can be combined with knowledge of the client's > screen size, resolution and number of colours. Armed with that knowledge, > though, it is possibly true. Both bitmap and outline fonts can be rendered badly, or rendered well. I agree that bitmaps fonts require extra information in the request (display density, primarily, plus whether it really is monochrome or whether it has contone capability (greyscale or color)). > However, it would be necessary to show how > the bitmap font approach can be made amenable to high quality printing. That seems to be an important requirement, as print-on-demand shops that generate 'books" of printed and bound document sets looks like a growth area. > So a formal write-up is needed, including a technical specification as > to exactly how it would be implemented. But is it worth anyone spending > a few days doing that? Would anyone listen? If a proposal for pixel-based fonts was presented which addressed these various issues and was technically sound, I for one would certainly listen. I am the chair of the W3C Fonts Working Group, by the way. -- Chris Lilley, W3C [ http://www.w3.org/ ] Graphics and Fonts Guy The World Wide Web Consortium http://www.w3.org/people/chris/ INRIA, Projet W3C chris@w3.org 2004 Rt des Lucioles / BP 93 +33 93 65 79 87 06902 Sophia Antipolis Cedex, France
Received on Friday, 9 August 1996 07:44:46 UTC