- From: Al Gilman <asgilman@iamdigex.net>
- Date: Thu, 10 Jan 2002 13:09:37 -0500
- To: "Brigan, Kell" <kbrigan@water.ca.gov>, <w3c-wai-ig@w3.org>
[pretty far off Kynn's original post, but it still relates, in terms of what a well-done content bundle would look like that was in its default presentation a cartoon strip.] At 10:35 AM 2002-01-10 , Brigan, Kell wrote: >Delurking to comment: I think a good way to go, if this idea were to catch on for comics, or other illustrations, would be for the cartoonist (or artist or photographer) to be the one to provide the descriptive text. That way, more of the original artists' styles and tone could be maintained in the descriptions. > AG:: On the other hand, the person who devotes themself to cartooning enough to get published is quite likely too close to the visual incarnation of the ideas to be able to summarize. It can happen both ways -- sometimes it takes fresh eyes to be a good describer. >Just a media musing, here. My hearing's gone middle-aged-strange these past few years, and I'm usually running the tube with captioning on. I think there are artistic opportunities in both closed-captioning and DVS that are not being exploited. I'm sure some folks will always prefer the literal, unintrusive version that we have now, especially for drama, documentary or educational content, but wouldn't it be a blast if captioning or DVS were to become part of the show for some comedies or experimental works? As far as the web goes, I can also see a potential for occasional use of smart-aleck or "Greek chorus" commentary alt content (so long as it also served its primary, descriptive function.) > This is a very slippery slope. As soon as you try to make the captions wry and witty you will offset their literal meaning from the literal meaning of what they replace. You will probably flat out lose the semantic pragmatic crowd. In fact, a pattern where the alternatives are not equivalent in their coverage could be seen as better. It is something like laying a brick wall. If the bricks in the next course line up exactly with the bricks in the previous course, the wall is weak. If the joins between the bricks in each course are staggered from course to course, the wall is strong. <http://lists.w3.org/Archives/Public/w3c-wai-gl/2001JulSep/1000.html>http: //lists.w3.org/Archives/Public/w3c-wai-gl/2001JulSep/1000.html But trying to check a multimedia aggregate where the alternatives are not dedicated is a complex game of permutations on combinations. The simple "ALT is for access" story the way Joe Clark tells it is much easier to teach and enforce. As the King of Siam said, Isss a puzzlement. Compare with the problem that on account of the use of TITLE as a toolTip, it gets written as an aside, a commentary, and not a standalone replacement for the element it decorates, by and large. Defeating its role in documenting the structure fit for summarization and navigation. behavior matters (why is a TITLE not a title?) <http://lists.w3.org/Archives/Public/wai-tech-comments/2001Jul/0001.html>htt p://lists.w3.org/Archives/Public/wai-tech-comments/2001Jul/0001.html Al >-----Original Message----- >From: Kelly Ford [<mailto:kelly@kellford.com%5D>mailto:kelly@kellford.com] >Sent: Wednesday, January 09, 2002 8:04 PM >To: w3c-wai-ig@w3.org; Kynn Bartlett >Subject: Re: Blind Users and Web Comics > > >I think it would be a grand idea. The comics and political cartoons have >always been somethinfg I'd like to read independently. Some might be >inherently graphical but just as audio description is starting to enhance >the movie going experience, I think making more of this sort of material >accessible would be worth doing. > >Kelly >
Received on Thursday, 10 January 2002 13:13:25 UTC