- From: Patrick H. Lauke <redux@splintered.co.uk>
- Date: Thu, 31 Jan 2019 00:05:49 +0000
- To: w3c-wai-gl@w3.org
On 30/01/2019 23:42, John Foliot wrote: > Two examples when formatted text is important (if not critical): > > Haiku: (a traditional form of Japanese poetry. Haiku poems consist of 3 > lines. The first and last lines of a Haiku have 5 syllables and the > middle line has 7 syllables. The lines rarely rhyme.) > > The summer river: > although there is a bridge, my horse > goes through the water. > > Example of a Robert Service > <https://en.wikipedia.org/wiki/Robert_W._Service> poem > <https://mypoeticside.com/show-classic-poem-26688>: (This poem follows a > regular pattern of four-line stanzas composed of two rhyming couplets.) > > On a Christmas Day we were mushing our way over the Dawson trail. > Talk of your cold! through the parka's fold it stabbed like a driven > nail. > If our eyes we'd close, then the lashes froze till sometimes we > couldn't see; > It wasn't much fun, but the only one to whimper was Sam McGee. > > > In these examples, the formatting of the text also conveys the > Pentameter <https://literarydevices.net/pentameter/>of the rhymes/poems. > Conveying this literary device is wholly dependent on the formatting of > the text: Is it the formatting here, or is it just the line breaks that are important? And is a haiku not semantically better marked up not with a <pre> element, but rather with something like a humble <p> with appropriate (and meaningful) <br> line breaks? P -- Patrick H. Lauke www.splintered.co.uk | https://github.com/patrickhlauke http://flickr.com/photos/redux/ | http://redux.deviantart.com twitter: @patrick_h_lauke | skype: patrick_h_lauke
Received on Thursday, 31 January 2019 00:06:13 UTC