- From: Daniel Spreadbury <D.Spreadbury@steinberg.de>
- Date: Tue, 20 Oct 2015 09:18:46 +0100
- To: "Kentaro Sato (Ken-P)" <kentaro.sato@yahoo.com>
- Cc: "public-music-notation-contrib@w3.org" <public-music-notation-contrib@w3.org>
- Message-ID: <OF7227F229.4377E7E7-ONC1257EE4.002D4931-80257EE4.002DA9D5@LocalDomain>
"Kentaro Sato (Ken-P)" <kentaro.sato@yahoo.com> wrote on 19/10/2015 11:25:01: > As far as we are on a subject on potential additional font, I would > like to add font symbols in the attached PDF... > These are related what I call "a soft accent," that we also see > scores of Brahms and others. A soft accent could be said a cres and > a dim signs on a note. Please correct me if I'm wrong, but I believe the "cresc. and dim. on a single note" is more properly known as a messa di voce. I don't believe it is normally considered a form of articulation, but rather as a form of dynamics; it is also typically not properly renderable using hairpins of a fixed width, and for this reason I have to date included only the single hairpin glyphs that were originally included in the Unicode Musical Symbols Range in SMuFL (since being a superset of that range was one of SMuFL's initial goals). If you could cite some published scores (e.g. which Brahms pieces contain these kinds of articulations?), I would be very interested to see them and I'm certainly willing to explore this further. Daniel - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Steinberg Media Technologies GmbH, Frankenstrasse 18b, D-20097 Hamburg, Germany Phone: +49 (40) 21035-0 | Fax: +49 (40) 21035-300 | www.steinberg.net President: Andreas Stelling | Managing Director: Hiroshi Sasaki, Hirofumi Osawa Registration Court: Hamburg HRB 86534 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Received on Tuesday, 20 October 2015 08:19:17 UTC