- From: Felix Sasaki <felix.sasaki@fh-potsdam.de>
- Date: Thu, 2 Apr 2009 23:56:42 +0900
- To: Tobias Bürger <tobias.buerger@sti2.at>
- Cc: Veronique Malaise <vmalaise@few.vu.nl>, public-media-annotation@w3.org
- Message-ID: <ba4134970904020756j4d4059b1p9481b0b280d736b7@mail.gmail.com>
Hello Tobias, 2009/4/2 Tobias Bürger <tobias.buerger@sti2.at> > Dear Felix, > > Felix Sasaki schrieb: > > Hello Veronique, > > > > > > 2009/4/2 Veronique Malaise <vmalaise@few.vu.nl > > <mailto:vmalaise@few.vu.nl>> > > > > Hello Felix, > > > > I could probably come up with an example, I could also borrow the > > one developped by Raphael at the workshop of the SAMT conference, > > if this could be authorised :) > > > > > > > > That would be great :) > > > > > > > > The problem is not so much of passing on metadata as such, it is > > that the metadata are encoded in different formats that are not > > dealt with in the other processes, although some properties might > > be interesting to propagate: some keywords or tags, creating date > > etc can be assigned at different moments in the life cycle, but > > expressed in different metadata schemas. Which is the part where > > the Ontology could have a role to play. If I understood correctly, > > of course :) > > > > > > > > Probably you have - and I do not disagree with you. Nevertheless, from > > a recent event at a the local film studio and discussion with experts > > in the area, I have the impression that in movie industry business > > reality both is an issue - that is, setting up the chain between the > > hundreds or thousands of people in video / movie production, and being > > able to pass properties along the way. Do we have people on this list > > who are in video / movie production and could comment on that? > I am not in the movie production industry but I am working together with > people from Grass Valey in a project and I had a chat with one of them > about exactly this issue. Yes I guess that they are facing these > problems. I could ask the people once again about their opinion and how > the industry deals with that problem. That would be very valuable feedback IMO. Felix > > > Best, > Tobias > > > > Felix > > > > > > > > > > Best, > > Véronique > > > > > > On Apr 2, 2009, at 4:27 PM, Felix Sasaki wrote: > > > >> Hello Veronique, > >> > >> the text looks good to me, but I have two questions: Do you have > >> an example of a property which specifically would help for the > >> "Canonical Processes" use case? Also, is the problem not an issue > >> of information management in the media life cycle, and has to be > >> solved in that area, at least in addition to the ontology? > >> > >> Felix > >> > >> 2009/4/2 Veronique Malaise <vmalaise@few.vu.nl > >> <mailto:vmalaise@few.vu.nl>> > >> > >> Hi everyone! > >> > >> Following my Action Item, here is a draft of a Use case that > >> would correspond to the "canonical processes" applied to a > >> media document, as discussed in the last teleconference (). > >> All comments are welcome! > >> > >> I also updated the current Use Case and Requirement document > >> according to the list's comments and reactions. > >> > >> Best regards, > >> Véronique > >> > >> Title: Canonical Processes Use Case > >> > >> Summary: The life cycle of a media document undergoes > >> different processes, which have all different canonical > >> metadata properties and schemas. It is not trivial to pass on > >> valuable metadata, generated during one process, to the next > >> process. The Media Ontology could enhance the transmission of > >> metadata in this chain that has been identified as the > >> "Canonical Processes" [1] > >> > >> Related Requirements: > >> Requirement r01: Providing methods for getting structured or > >> unstructured metadata out of media objects in different formats > >> Requirement r05: Providing the ontology as a simple set of > >> properties > >> > >> Description / Example: > >> As described in [1]: > >> "Creating compelling multimedia presentations is a complex > >> task. It involves the capture of media assets, then editing > >> and authoring these into one or more final presentations. > >> Tools tend to concentrate on a single aspect to reduce the > >> complexity of the interface. While these tools are tailored to > >> support a specific task, very often there is no consideration > >> for input requirements for the next tool down the line. Each > >> tool has the potential for adding semantic annotations to the > >> media asset, describing relevant aspects of the asset and why > >> it is being used for a particular purpose. These annotations > >> need to be included in the information handed on to the > >> next tool." > >> The Media Ontology would help the information transfer or > >> access between these different processes. > >> > >> [1] Lynda Hardman. Canonical Processes of Media Production. > >> In Proceedings of the ACM Workshop on Multimedia for Human > >> Communication - From Capture to Convey (MHC 05), November 11, > >> 2005. > >> > >> > > > > > > -- > _________________________________________________ > Dipl.-Inf. Univ. Tobias Bürger > > STI Innsbruck > University of Innsbruck, Austria > http://www.sti-innsbruck.at/ > > tobias.buerger@sti2.at > __________________________________________________ > >
Received on Thursday, 2 April 2009 14:57:24 UTC