- From: Bailer, Werner <werner.bailer@joanneum.at>
- Date: Tue, 4 Nov 2008 17:50:02 +0100
- To: <vmalaise@few.vu.nl>, "Ruben Tous" <rtous@ac.upc.edu>
- Cc: <public-media-annotation@w3.org>
Dear Ruben, Veronique, all, I'm not sure about the inclusion "historic metadata" (actual I would suggest to use the term processing metadata or processing history metadata instead): This information can be quite detailed, specific to tools applied (e.g. settings, parameters), and is quite low-level information. The set of people/organisations contributing to the creation of the media item (P_Meta uses the term "contributor", as this might involve less creative contributors such as movie producers) is relevant and I support Veronique's proposal. If necessary the type of contribution could be quite fine-grained in a certain application, without hindering other applications to deal with the concept of a generic creator. Best regards, Werner -----Ursprüngliche Nachricht----- Von: public-media-annotation-request@w3.org im Auftrag von vmalaise@few.vu.nl Gesendet: Di 04.11.2008 11:34 An: Felix Sasaki Cc: Rubén Tous; public-media-annotation@w3.org Betreff: Re: [new use case suggestion] Use Case - Digital imaging lifecycle Quoting Felix Sasaki <fsasaki@w3.org>: Dear all, I also do think that our ontology should not go in too many details, but allow placeholders for other schemas to fit in: having one generic "creator" property/tag, and giving the possibility to scheme that are more refined to extend this single property/tag into "conceptual creator" and "concrete realisator of the piece". On the other hand, if we go for a description model that keeps the distinction between the idea (the idea of a movie for example), a realisation (one adaptation by a director) of the work and instances (a video tape/DVD), it is possible to attach a property/tag of "creator" at all these levels. the seamtic would be the agregation between the level of description (idea/work/instance) and the role (creator). But of course, this is just an idea, open to criticism... or approval :) What do you think? Best, Veronique > > Hello Ruben, all, > > as you said below, in some formats like EXIF there is no separation > between "historic" and metadata of the resource, and in others there is. > Again I think we need to decide: how many details do we want to take > into account? I think for metadata interoperability, the EXIF+others > approach from the metadata WG is sufficient. What do you think? > > Felix > > > Rubén Tous ã.ã,"ã¯æ>¸ãã¾ã-ãY: > > > > Dear all, > > > > it make sense to me to cover all the three main media categories > > (video, still images and audio) as a hole or as three separated parts. > > > > However, the intention of my example was not so ambitious, it was just > > related to what in DIG35 (cited in the PhotoUC) is named "History > > Metadata": > > > >> From Section 3.2.4 in DIG35 > > (http://xml.coverpages.org/FU-Berlin-DIG35-v10-Sept00.pdf) : > > > > "For example, history may include certain processing steps that have > > been applied to an image. Another example of a history would be the > > image creation events including digital capture, exposure of negative > > or reversal films, creation of prints, transmissive scans of negatives > > or positive film, or reflective scans of prints. All of this metadata > > is important for some applications. To permit flexibility in > > construction of the image history metadata, two alternate > > representations of the history are permitted" > > > > I think that EXIF and other formats mix this concept with the metadata > > of the resource (e.g. the Exposure Time field in EXIF) but others like > > DIG35 or MXF and AAF (Part 15 of > > http://www.aafassociation.org/html/specs/aafobjectspec-v1.1.pdf talks > > about Physical Essence) make a clear differentiation. > > > > What about a "History Metadata" Use Case? > > > > Best regards, > > > > Ruben > > > > ----- Original Message ----- From: <vmalaise@few.vu.nl> > > To: "VÃfÂctor RodrÃfÂguez Doncel" <victorr@ac.upc.edu> > > Cc: "Felix Sasaki" <fsasaki@w3.org>; "Pierre-Antoine Champin" > > <swlists-040405@champin.net>; "RubÃf©n Tous" <rtous@ac.upc.edu>; > > <public-media-annotation@w3.org> > > Sent: Tuesday, November 04, 2008 9:58 AM > > Subject: Re: [new use case suggestion] Use Case - Digital imaging > > lifecycle > > > > > >> > >> Dear all, > >> > >> How about this solution: we could group a number of use cases under > >> the "media" > >> category, as we already have an "audio" use case, and take into > >> account in the > >> ontology 1.0 only the requirements that overlap with others? The > >> description of > >> the use case would show what other aspects still need to be taken into > >> consideration when aiming for still images description compatibility. > >> > >> Best, > >> Veronique > >> > >> Quoting VÃfÂctor RodrÃfÂguez Doncel <victorr@ac.upc.edu>: > >> > >>> > >>> Hello all, > >>> > >>> I think it should be distinguished between the user roles regarding the > >>> resource, and the user roles regarding the represented object. > >>> Thus, the three kind of applications or roles defined by the > >>> metadataworkinggroup (creator/changer/consumer) operate on the resource > >>> but may not match logically the role regarding the represented object. > >>> > >>> For example, the word "creator" is somewhat ambiguous because it may > >>> refer to the role which creates materially the resource, or to the > >>> actual artist which conceives an idea. Both "creators" do not > >>> necessarily match. Have you thought about it? > >>> > >>> Regards, > >>> VÃfÂctor RodrÃfÂguez Doncel > >>> > >>> > >>> Felix Sasaki escribiÃf³: > >>> > > >>> > Pierre-Antoine Champin ãÂ.ã,"ã¯æ>¸ãÂÂã¾ãÂ-ãÂY: > >>> >> Felix Sasaki a Ãf©crit : > >>> >>> > >>> >>> Hello Ruben, all, > >>> >>> > >>> >>> sorry for the late reply. Reading your proposal I think it is > >>> >>> interesting for the photo use case. However I remember that we > >>> >>> discussed at the f2f meeting about the focus of the Working Group, > >>> >>> and most of the people want it to be video, with the possibility to > >>> >>> take other use cases into account if their requirements overlap > >>> more > >>> >>> or less with video.I am a bit worried that your description is too > >>> >>> far away from that use case. What do others think? > >>> >> > >>> >> > >>> >> Although the examples given by RubÃf©n are quite specific to still > >>> >> images, it seems to me that a similar kind of concern exist for > >>> >> video: video can be digitalized from analog media, captured by > >>> >> digital devices or generated; they can be altered in several ways > >>> >> (re-encoding, subtitling, montage...). > >>> > > >>> > Good point. I think an implementation of this is to separate actors > >>> > or roles like creator, changer and consumer. This is what the > >>> metadata > >>> > working group deliverable does, see section 2 of > >>> > http://www.metadataworkinggroup.com/pdf/mwg_guidance.pdf > >>> > However what you are mentioning and what Ruben describes sounds to me > >>> > rather like a requirement than a use case, that is the requirement to > >>> > take such roles into account for relating various metadata > >>> > vocabularies. What do you think? > >>> > > >>> > Felix > >>> > > >>> > > >>> > > >>> > >>> > >>> > >> > >> > >> > >> > >> > > > > > > > >
Received on Tuesday, 4 November 2008 16:50:56 UTC