- From: David Woolley <forums@david-woolley.me.uk>
- Date: Sun, 31 Aug 2008 13:47:29 +0100
- To: www-style@w3.org
Chris Murphy wrote: > This is precisely why photographers are encouraged to "expose right" > meaning to the right side of a histogram, which are quarter tones and > highlights. It is preferable to correct in post-processing what appears > to be a slightly overexposed images. This results in a higher quality > capture. In any system with quantisation, or other noise, I would have thought it was self evident that one should maximise the use of the dynamic range. However, my experience is that digital media tolerate over-exposure very badly. That I think is also self evident, as over-exposed values are hard clipped, whereas underexposure simply results in increased noise. That isn't to say that quantisation noise isn't a problem with typical 8 bit storage formats. In my experience, for amateur use, one, or even half a, stop over is unacceptable, whereas two stops under is still usable. (Most scenes have some small highlights that can reasonably be clipped, of course.) Silver halide media doesn't clip hard, in the negative, when you over-expose. I actually had a couple of photographs, on film, where I deliberately overexposed the surroundings, to bring out shadow, but the (mass market) lab corrected the image (and the scan to CD) with no real apparent degradation of the over-exposed bits. On digital media, they would have been end stop white. One was the same scene exposed for the sunset and for the building, and both looked about the same. (In these cases, tbe lab's effective underexposure did bring up the noise to noticeable levels, when corrected digitally to the intended exposure.) -- David Woolley Emails are not formal business letters, whatever businesses may want. RFC1855 says there should be an address here, but, in a world of spam, that is no longer good advice, as archive address hiding may not work.
Received on Sunday, 31 August 2008 12:48:06 UTC