- From: John Hudson <tiro@tiro.com>
- Date: Tue, 18 Jan 2011 17:49:36 -0800
- CC: www-style list <www-style@w3.org>, www-font@w3.org, David Berlow <dberlow@fontbureau.com>
John Daggett wrote: > In this vein, I should point out that it would be far more > interesting to support some form of arbitrary font axes, such as > Quickdraw GX variation axes or Adobe Multiple Master fonts. These > formats allow a font designer to design specific > parameterizations into the font data, similar to the way hinting > data allows a font designer to add adjustments for display at > specific resolutions. The Skia font that still ships with OSX > supports 'weight' and 'width' axes, allowing a single font to > support an arbitrary range of weights and widths. While this > isn't currently widely supported technology and would require a > new version of OpenType, it has a lot of size benefits for web > use. [Multiple Master was originally included in the OpenType specification, but later removed. Interpolation continues to play a major role in font design and creation, but not at the application and rendering end of things.] Although Multiple Master is more familiar to most people -- including most font creators --, I suspect something like TT Variations as implemented in GX would be of more interest once people came to grips with its possibilities. MM is at once limited in a number of ways and imposes a significant overhead in terms of the number of axis masters required for complete glyph sets. The ability to define Variation behaviour for discreet glyphs within a font is very attractive. Microsoft have historically been wary of interpolation and variation technologies, and would perhaps be the hardest sell on reintroducing them. But I reckon there are a fair number of font developers who would support such a move, and who would see in fonts on the web fairly crucial need for such technology. JH
Received on Wednesday, 19 January 2011 01:50:12 UTC