- From: Gregory Rosmaita <gregory.rosmaita@gmail.com>
- Date: Fri, 30 Sep 2011 23:14:04 -0400
- To: www-style@w3.org, wai-xtech <wai-xtech@w3.org>
aloha! Question 1. why was the ACSS and CSS 2.1 Appendix A 'play-during' mixing property http://www.w3.org/TR/CSS21/aural.html#mixing-props removed from css3-speech? Question 2. css3-speech Section 9 "Cue properties" provides for an aural icon to be played before an element is encountered or after that element has been encountered within the audio box model: QUOTE cite="http://www.w3.org/TR/css3-speech/#cue-props" The 'cue-before' and 'cue-after' properties specify auditory icons (i.e. pre-recorded / pre-generated sound clips) to be played before (or after) the selected element within the audio "box" model. UNQUOTE additionally, css3-speech provides a (non-normative) means of playing a sound clip of a marked string of text QUOTE In a similar way, text strings in a document can be replaced by a previously recorded version. Example XIII In this example - assuming the format is supported, the file is available and the UA is configured to do so - a recording of Sir John Gielgud's declamation of the famous monologue is played. Otherwise the UA falls back to render the text using synthesized speech. .hamlet { content: url(./audio/gielgud.wav); } ... <div class="hamlet"> To be, or not to be: that is the question: </div> UNQUOTE but what if the author wanted to provide a subtle ambient background sound to indicate, for example, that the string of text currently being spoken is contained in a specific type of containing element, such as BLOCKQUOTE, Q, or EM? Question 3. what of aural events one might want to associate with interactive elements, such as edit boxes and other form controls, so that as long as the user is activating a form control -- for example, a sound that plays simulating typewriter keystrokes when input is received by a TEXTAREA to inform the user/reinforce for the user that text is being entered into a TEXTAREA (this is intended to aid those with cognitive issues who are aided by supplemental speech, as well as those screen reader users who don't mind aural clatter if it assures them that their input is actually being input into the interactive element (such as the TEXTAREA in this example) Question 4. what is an author or a user of a client-side stylesheet to do if one wants to associate a sound with a change in state of a form control (such as a radio button or check box) in an accessible manner WITHOUT using javascript? use of javascript to provide this function does not suffice, as it prevents a user from associating an aural event to a change in state via a client-side stylesheet -- the more a user can control aural events via a simple syntax such as provided by CSS/css3-speech, the better the user experience... i hope that i made my concerns clear -- that: 1) the css3-speech cue properties are insufficient, as there is no "play-during" or equivalent option available to authors and users; 2) how does one indicate state (e.g. checked/unchecked - on/off) 2a) as an author, i want to be able to serve up a variety of aural overlays, much in the way that many sites allow users the option to switch font, font-size, contrast, etc. -- by such means, i can offer more verbose, less verbose, and audio-only overlays so that users have a choice of the amount of aural information they receive via css3-speech 2b) as a user, i want to be able to use css3-speech to control client-side aural stylesheets -- control over which could easily be turned into a user-friendly "wizard" or "property sheet" type interface so that users don't have to know CSS in order to exercise control over aural events, as well as providing a user with a consistent aural experience which that user can tailor to his or her needs THANK you for your work on moving css-speech towards rec status! gregory ----------------------------------------------------------------- PEDESTRIAN, n. The variable (and audible) part of the roadway for an automobile. -- Ambrose Bierce, The Devil's Dictionary ----------------------------------------------------------------- Gregory J. Rosmaita, gregory.rosmaita@gmail.com Camera Obscura: http://www.hicom.net/~oedipus Oedipus' Online Complex: http://my.opera.com/oedipus -----------------------------------------------------------------
Received on Saturday, 1 October 2011 03:14:33 UTC