- From: Karl Dubost <karl@w3.org>
- Date: Wed, 7 Sep 2005 07:59:06 -0400
- To: Richard Newman <r.newman@reading.ac.uk>
- Cc: semantic-web@w3.org
Le 2005-09-06 à 22:55, Richard Newman a écrit : > I've uploaded a *very* draft copy of my self-appointed task at > [1]. This includes documentation for the photo schema mentioned > below. I intend to include the stuff we discussed today, as soon as > I find the time. > [1] http://www.holygoat.co.uk/projects/images/ Very very very Cool, I will look at that closely and send you comments. As I was doing a bit of research this night about it, I found this too. It's an article “[Brave New FRBR World][1]” written by Patrick Le Bœuf Bibliothèque nationale de France There's a section dedicated to “what is the status of digital/ digitised resources?” He's basically saying that for digitized *texts*, there's no clear way of dealing with them. * Library of Congress (LoC): creates separate bibliographic records for a microform and its digitisation, then distinct manifestations. * Bibliothèque Nationale de France (BNF): create one bibliographic record, then microform and its digitisation are only item entity. Then he's citing a few models: [[[ This lack of clear statement proved problematic for other models derived from FRBR and that remain more or less faithful to IFLA’s original model. Let us compare just three of them: the Variations2 Data Model developed by the Indiana University (Bloomington) for digital libraries specialised in music (18); the SMART model (Sinica Metadata Architecture and Research Task) developed by Taiwan’s Academia Sinica in Taipei (19); and Stephen L. Abrams’ Reference Model for Digital Library Objects, currently under development at Harvard University (Cambridge, MA) (20). * In the [Variations2 Data Model][2], a digitised object in a digital library is but an item of the manifestation the original object belongs to (like a microform at the Bibliothèque nationale de France). * In the [SMART model][3], a digitised object is a new manifestation of the work and expression embodied in the original manifestation (like a microform at the Library of Congress). * In the [Harvard University reference model][4], a digital archival master is a new expression of a graphic work, and it has a “surrogate for” relationship to the original expression (labelled: “analog”). ]]] Maybe we have to define what's a photograph indeed and see how does it (or not) fit in FRBR model? References: [1]: http://www.ddb.de/news/pdf/papers_leboeuf.pdf [2]: http://variations2.indiana.edu/html/dunn-notess-dlf2002/ [3]: http://www.nii.ac.jp/dc2001/proceedings/product/paper-08.pdf [4]: http://hul.harvard.edu/~stephen/Model.doc * Variations2: the Indiana University Digital Music Library Project / Jon W. Dunn, & Mark Notess. — 2002. * A metadata case study for the FRBR model based on Chinese painting and calligraphy at the National Palace Museum in Taipei / Simon C. Lin, Chen Ya-ning, Chen Shu-jiun, Chang Yi-ting, & Hu Shai-lan. — 2001. * A reference model for digital library objects / Stephen Abrams. — 2002/July/16. -- Karl Dubost - http://www.w3.org/People/karl/ W3C Conformance Manager *** Be Strict To Be Cool ***
Received on Wednesday, 7 September 2005 11:59:57 UTC