- From: Joe Vieira <joe@myfonts.com>
- Date: Wed, 6 Nov 2013 15:54:35 -0500
- To: Chris Lilley <chris@w3.org>
- Cc: "Levantovsky, Vladimir" <Vladimir.Levantovsky@monotype.com>, "public-webfonts-wg@w3.org" <public-webfonts-wg@w3.org>
- Message-ID: <CAJa=EB25q6Ttxq+qZAd9a_y4f=YxtH8rhs+AsxMQW=xpDZ7RQQ@mail.gmail.com>
I can't make the call either as i am on another one. David/Vlad re: your top level font media type draft, I'm happy to work on / think about ways to collect stats on misused & incorrect media types. If that is of benefit to the drafts argument. Joe On Wed, Nov 6, 2013 at 12:12 PM, Chris Lilley <chris@w3.org> wrote: > Hello Vladimir, > > Tuesday, November 5, 2013, 10:20:43 PM, you wrote: > > > > We will have our regularly scheduled telcon tomorrow > > My regrets for this evening's call. I'm getting ready to travel to > China tomorrow. I'm also further behind on the report than I would > have liked, in consequence (but will have some time on the flight to > get more done). > > > Agenda: > > > > - Review open action items > > (http://www.w3.org/Fonts/WG/track/) > > I closed off three actions of mine that were done, and in the past. > > > - Updates on the current activities (including recent ISO > activities) > > > > - Quick summary of WG findings and future plans (for W3C TPAC > meeting next week) > > > > - Idea up for discussion: Sampo and I had a quick chat > > about WOFF 2.0 activities and he came up with an idea on one > > additional optimization item for TTF glyph data – the outline > > points. In many cases the outline points are defined so that the > > on-curve point between two off-curve points can be easily calculated > > as a middle point of the line segment that connects off-curve point. > > The on-curve points are needed to be explicitly defined for hints, > > but when optimizing font data for compression those that are > > trivially located and can be restored easily can be dropped (and > > restored later after decompression). What do you guys think – should we > try and evaluate this? > > It is probably worth evaluating; it should be done with significant > input from font designers so they are comfortable that the visual > integrity is not compromised. > > -- > Best regards, > Chris mailto:chris@w3.org > > >
Received on Wednesday, 6 November 2013 20:55:04 UTC