- From: Thomas Francart <thomas.francart@sparna.fr>
- Date: Tue, 6 Apr 2021 09:27:29 +0200
- To: Eric Theise <erictheise@gmail.com>
- Cc: "schema.org Mailing List" <public-schemaorg@w3.org>
- Message-ID: <CAPugn7XvJEXFUhTfqRZY9rKg91_8n8KFQaRx91k0MVdV+=rihw@mail.gmail.com>
Hello If it is about archival description, you may want to have a look at the new archival conceptual model and ontology, called Records In Context Conceptual Model (Ric-CM) and Records in Context Ontology (RiC-O) : https://www.ica.org/en/egad-ric-conceptual-model https://www.ica.org/en/records-in-contexts-ontology https://www.ica.org/standards/RiC/RiC-O_v0-2.html This is maybe too much for your use-case, and very specific to archival records management, but this could be of interest. Best Regards Thomas Le lun. 5 avr. 2021 à 22:35, Eric Theise <erictheise@gmail.com> a écrit : > Hi everyone, > > I've been working on a database of historical and contemporary motion > picture film stocks. Fields include attributes such as name, number, > manufacturer, gauge, speed, color balance, recommended chemistries for > processing, dates in production, as well as several anecdotal fields of > interest to preservationists and filmmakers. > > Note that most entities are no longer being produced or for sale, and that > these are the raw materials of cinema and not finished works of > art/entertainment (although an anecdotal field might certainly indicate > that a notable film was shot or printed on that stock). > > Does anyone know of structured data work being done in this area? I've > asked on a few appropriate film mailing lists and will raise the question > at a conference next week but I thought some folks in this world might now. > > Thanks in advance. > > Eric > > -- *Thomas Francart* -* SPARNA* Web de *données* | Architecture de l'*information* | Accès aux *connaissances* blog : blog.sparna.fr, site : sparna.fr, linkedin : fr.linkedin.com/in/thomasfrancart tel : +33 (0)6.71.11.25.97, skype : francartthomas
Received on Tuesday, 6 April 2021 07:27:54 UTC