- From: Andrew Somers <andy@generaltitles.com>
- Date: Mon, 2 Jan 2023 11:40:08 -0800
- To: Laura Carlson <laura.lee.carlson@gmail.com>
- Cc: public-low-vision-a11y-tf <public-low-vision-a11y-tf@w3.org>
Received on Monday, 2 January 2023 19:40:25 UTC
Thank you Laura, that's a very interesting study, and directly echoes my personal viewpoint on this particular subject. I want to make a note here for anybody that reads this study: The study uses the term "stroke contrast". It's very important to recognize that in the context that they are using it, stroke-contrast relates to the variation in stroke within a particular glyph. And the effect is exactly opposite of the actual visual contrast. In other words in the context of font contrast as in the stroke-contrast within a glyph, e.g. Times New Roman has very high stroke contrast. But the visual contrast of Times is lower than that of Helvetica. Helvetica, having a uniform stroke width therefore has a low stroke contrast but (perhaps counterintuitively) that results with its visual contrast as higher. Here's an example: > On Dec 27, 2022, at 8:17 AM, Laura Carlson <laura.lee.carlson@gmail.com> wrote: > > Fyi: > https://www.sciencedirect.com/science/article/pii/S0001691822003250 > > Kind Regards, > Laura > > -- > Laura L. Carlson >
Received on Monday, 2 January 2023 19:40:25 UTC