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csswg/css3-writing-modes Overview.html,1.224,1.225 Overview.src.html,1.237,1.238

From: Elika Etemad via cvs-syncmail <cvsmail@w3.org>
Date: Wed, 11 Jan 2012 07:25:16 +0000
To: public-css-commits@w3.org
Message-Id: <E1RksYe-0004U0-Cp@lionel-hutz.w3.org>
Update of /sources/public/csswg/css3-writing-modes
In directory hutz:/tmp/cvs-serv17218

Modified Files:
	Overview.html Overview.src.html 
Log Message:
Fix some typos

Index: Overview.html
===================================================================
RCS file: /sources/public/csswg/css3-writing-modes/Overview.html,v
retrieving revision 1.224
retrieving revision 1.225
diff -u -d -r1.224 -r1.225
--- Overview.html	5 Jan 2012 17:03:58 -0000	1.224
+++ Overview.html	11 Jan 2012 07:25:13 -0000	1.225
@@ -32,7 +32,8 @@
 
    <h1>CSS Writing Modes Module Level 3</h1>
 
-   <h2 class="no-num no-toc" id=longstatus-date>Editor's Draft 5 January 2012</h2>
+   <h2 class="no-num no-toc" id=longstatus-date>Editor's Draft 11 January
+    2012</h2>
 
    <dl>
     <dt>This version:
@@ -40,7 +41,7 @@
     <dd><a
      href="http://dev.w3.org/csswg/css3-writing-modes/">http://dev.w3.org/csswg/css3-writing-modes/</a>
      <!--
-    <dd><a href="http://www.w3.org/TR/2012/WD-css3-writing-modes-20120105/">http://www.w3.org/TR/2012/ED-css3-writing-modes-20120105/</a>
+    <dd><a href="http://www.w3.org/TR/2012/WD-css3-writing-modes-20120111/">http://www.w3.org/TR/2012/ED-css3-writing-modes-20120111/</a>
 -->
      
 
@@ -59,6 +60,19 @@
     <dd><a
      href="http://www.w3.org/TR/2011/WD-css3-writing-modes-20110901/">http://www.w3.org/TR/2011/WD-css3-writing-modes-20110901/</a>
 
+    <dt>Issues List:
+
+    <dd><a
+     href="http://www.w3.org/Style/CSS/Tracker/products/FIXME">http://www.w3.org/Style/CSS/Tracker/products/FIXME</a>
+     
+
+    <dt>Discussion:
+
+    <dd><a
+     href="http://lists.w3.org/Archives/Public/www-style/">www-style@w3.org</a>
+     with subject line &ldquo;<kbd>[css3-writing-modes] <var>&hellip; message
+     topic &hellip;</var></kbd>&rdquo;
+
     <dt>Editors:
 
     <dd><a href="http://fantasai.inkedblade.net/contact">Elika J. Etemad</a>
@@ -292,11 +306,11 @@
     Composition</a>
     <ul class=toc>
      <li><a href="#text-combine-horizontal"><span class=secno>9.1. </span>
-      Horizonal-in-Vertical Composition: the &lsquo;<code
+      Horizontal-in-Vertical Composition: the &lsquo;<code
       class=property>text-combine-horizontal</code>&rsquo; property</a>
 
      <li><a href="#text-combine-mode"><span class=secno>9.2. </span>
-      Horizonal-in-Vertical Glyph Scaling: the &lsquo;<code
+      Horizontal-in-Vertical Glyph Scaling: the &lsquo;<code
       class=property>text-combine-mode</code>&rsquo; property</a>
     </ul>
 
@@ -1497,7 +1511,7 @@
 
   <div class=figure>
    <p><img
-    alt="A Venn diagram of these distinctions would show two circles:                      one labelled 'vertical', the other 'horizonal'. The overlapped                      region would represent the bi-orientational scripts, while                      horizontal-only and vertical-only scripts would occupy their                      respective circles' exclusive regions."
+    alt="A Venn diagram of these distinctions would show two circles:                      one labelled 'vertical', the other 'horizontal'. The overlapped                      region would represent the bi-orientational scripts, while                      horizontal-only and vertical-only scripts would occupy their                      respective circles' exclusive regions."
     src=baseline-align-super.gif>
   </div>
 
@@ -1625,7 +1639,7 @@
    <dt><dfn id=upright>upright</dfn>
 
    <dd>
-    <p>In vertical writing modes, characters from horizonal-only scripts are
+    <p>In vertical writing modes, characters from horizontal-only scripts are
      rendered upright, i.e. in their standard horizontal orientation. Shaping
      characters from such scripts are shaped in their isolated forms.
      Characters from vertical scripts are set with their intrinsic
@@ -2905,7 +2919,7 @@
   <h2 id=text-combine><span class=secno>9. </span> Glyph Composition</h2>
 
   <h3 id=text-combine-horizontal><span class=secno>9.1. </span>
-   Horizonal-in-Vertical Composition: the &lsquo;<a
+   Horizontal-in-Vertical Composition: the &lsquo;<a
    href="#text-combine-horizontal0"><code
    class=property>text-combine-horizontal</code></a>&rsquo; property</h3>
 
@@ -2999,7 +3013,7 @@
     that has as many or fewer characters than the integer given is treated as
     if it were in an anonymous inline box with &lsquo;<code
     class=css>text-combine-horizontal: all</code>&rsquo;. For this property,
-    a <dfn id=horizonal-letter>horizonal letter</dfn> is any character
+    a <dfn id=horizontal-letter>horizontal letter</dfn> is any character
     belonging to a Letter category (L*) that does not belong to a <a
     href="#script-orientations">vertical script</a>.
 
@@ -3110,7 +3124,7 @@
   </div>
 
   <h3 id=text-combine-mode><span class=secno>9.2. </span>
-   Horizonal-in-Vertical Glyph Scaling: the &lsquo;<a
+   Horizontal-in-Vertical Glyph Scaling: the &lsquo;<a
    href="#text-combine-mode0"><code
    class=property>text-combine-mode</code></a>&rsquo; property</h3>
 
@@ -3668,9 +3682,9 @@
     href="#upright"><code class=css>upright</code></a>&rsquo; text
     orientations, and correct typography requires variant glyphs.
     <p class=note>For more subtle differences in glyph shape, such as variant
-     brush strokes and alignent, it is suggested that OpenType define a glyph
-     substitution feature for characters in the S classes, to be turned on
-     when they are typeset (sideways) in vertical text.
+     brush strokes and alignment, it is suggested that OpenType define a
+     glyph substitution feature for characters in the S classes, to be turned
+     on when they are typeset (sideways) in vertical text.
   </dl>
 
   <p class=issue>Where do characters that vary depending on typographic
@@ -3679,7 +3693,7 @@
   <p>The S<sub>v</sub> and S<sub>h</sub> categories together make up the S
    category in the UTR50 draft at the time of writing; they are split apart
    because of the difference in &lsquo;<a href="#upright"><code
-   class=css>upright</code></a>&rsquo; typsetting.
+   class=css>upright</code></a>&rsquo; typesetting.
 
   <p>The S<sub>v</sub> subcategory consists of the characters in the S
    category that are:

Index: Overview.src.html
===================================================================
RCS file: /sources/public/csswg/css3-writing-modes/Overview.src.html,v
retrieving revision 1.237
retrieving revision 1.238
diff -u -d -r1.237 -r1.238
--- Overview.src.html	5 Jan 2012 19:38:38 -0000	1.237
+++ Overview.src.html	11 Jan 2012 07:25:14 -0000	1.238
@@ -1061,7 +1061,7 @@
 
   <div class="figure">
         <p><img alt="A Venn diagram of these distinctions would show two circles:
-                     one labelled 'vertical', the other 'horizonal'. The overlapped
+                     one labelled 'vertical', the other 'horizontal'. The overlapped
                      region would represent the bi-orientational scripts, while
                      horizontal-only and vertical-only scripts would occupy their
                      respective circles' exclusive regions."
@@ -1167,7 +1167,7 @@
     <p>This value puts the element in a <i>vertical typographic mode</i>
       and is typical for layout of primarily vertical-script text.
     <dt><dfn>upright</dfn></dt>
-    <dd><p>In vertical writing modes, characters from horizonal-only
+    <dd><p>In vertical writing modes, characters from horizontal-only
       scripts are rendered upright, i.e. in their standard horizontal
       orientation.
       Shaping characters from such scripts are shaped in their isolated forms.
@@ -2155,7 +2155,7 @@
 Glyph Composition</h2>
 
 <h3 id="text-combine-horizontal">
-Horizonal-in-Vertical Composition: the 'text-combine-horizontal' property</h3>
+Horizontal-in-Vertical Composition: the 'text-combine-horizontal' property</h3>
 
   <table class="propdef">
     <tbody>
@@ -2231,7 +2231,7 @@
       that has as many or fewer characters than the integer given is treated
       as if it were in an anonymous inline box with
       ''text-combine-horizontal: all''.
-      For this property, a <dfn>horizonal letter</dfn> is any character belonging
+      For this property, a <dfn>horizontal letter</dfn> is any character belonging
       to a Letter category (L*) that does not belong to a
       <a href="#script-orientations">vertical script</a>.
     <dt><dfn title="text-combine-horizontal:latin">latin</dfn>
@@ -2322,7 +2322,7 @@
   </div>
 
 <h3 id="text-combine-mode">
-Horizonal-in-Vertical Glyph Scaling: the 'text-combine-mode' property</h3>
+Horizontal-in-Vertical Glyph Scaling: the 'text-combine-mode' property</h3>
 
   <table class="propdef">
     <tbody>
@@ -2725,7 +2725,7 @@
       upright in both ''upright-right''  and ''upright'' text orientations,
       and correct typography requires variant glyphs.
       <p class="note">For more subtle differences in glyph shape, such as
-      variant brush strokes and alignent, it is suggested that OpenType
+      variant brush strokes and alignment, it is suggested that OpenType
       define a glyph substitution feature for characters in the S classes,
       to be turned on when they are typeset (sideways) in vertical text.
   </dl>
@@ -2735,7 +2735,7 @@
 
   <p>The S<sub>v</sub> and S<sub>h</sub> categories together
     make up the S category in the UTR50 draft at the time of writing; they
-    are split apart because of the difference in ''upright'' typsetting.
+    are split apart because of the difference in ''upright'' typesetting.
 
   <p>The S<sub>v</sub> subcategory consists of the characters in the S
     category that are:
Received on Wednesday, 11 January 2012 07:27:29 UTC

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