- From: John Lewis <lewi0371@mrs.umn.edu>
- Date: Mon, 12 May 2003 12:15:19 -0500
- To: www-html@w3.org
T. wrote on Monday, May 12, 2003 at 10:27:50 AM: > I see <em> and <strong> not as too levels of emphasis, but as two > "flavors". When reading text aloud, for example, I usually indicate > an emphasized phrase by a change in pitch, but a "strong emphasis" > by a change in volume. I've notice plenty of other people doing > likewise. But an <em> within an <em> I would indicate not by a > change in volume, but by a different pitch than the rest of the > phrase. The difference above is just as presentational as the difference between italic, roman, and boldface text. You've just shifted the media from visual to aural. The difference should still be handled by CSS (or another style language). See aural style sheets: <http://www.w3.org/TR/REC-CSS2/aural.html>. > This is in keeping with standard typographical practices in print. > I'd prefer it if <strong> isn't trashed, but if it is, I'll learn to > live without it. In a way I agree with you. It's much easier to map italic and boldface text (or pitch and volume) to two separate elements, in keeping with real world historical usage. On the other hand, when I really considered what the actual meaning of the two elements are (emphasis of two different degrees), I came to the conclusion that the strong element only exists as a historical replacement for the b element, and not because there's a semantic difference between emphasis and strong emphasis that requires a unique element for each. -- John Lewis
Received on Monday, 12 May 2003 13:28:18 UTC