- From: David MacDonald <david100@sympatico.ca>
- Date: Mon, 7 Nov 2016 09:00:13 -0500
- To: "Patrick H. Lauke" <redux@splintered.co.uk>
- Cc: WCAG <w3c-wai-gl@w3.org>
- Message-ID: <CAAdDpDbSMGVgz4VaHKsw76-JRHnDk589UnDU84kRMCPWuWw-bA@mail.gmail.com>
Yes I agree we need add a good focus indicator requirement into 1.4.3, and as a core technique, I really like John's idea of the double line with two different colours (light and dark) so that it will have sufficient contrast over any background. Cheers, David MacDonald *Can**Adapt* *Solutions Inc.* Tel: 613.235.4902 LinkedIn <http://www.linkedin.com/in/davidmacdonald100> twitter.com/davidmacd GitHub <https://github.com/DavidMacDonald> www.Can-Adapt.com <http://www.can-adapt.com/> * Adapting the web to all users* * Including those with disabilities* If you are not the intended recipient, please review our privacy policy <http://www.davidmacd.com/disclaimer.html> On Sat, Nov 5, 2016 at 10:44 AM, Patrick H. Lauke <redux@splintered.co.uk> wrote: > On 05/11/2016 14:28, Gregg Vanderheiden wrote: > >> And talking about contrast for things other than text there are a couple >> things to keep in mind. >> >> 1) the amount of contrast needed to see controls and other objects is >> much less than the contrast needed to make out fine details on 10 >> strokes of letters. So the contrast requirements should not be anywhere >> near as high for other things as it does for the strokes of letters. >> > > Unless the controls/objects rely on the user being able to recognise fine > details too. Think for instance icons using only thin outline strokes > (rather than solid shapes/colours). > > The same way that some blocky fonts which DON'T have any fine details > would also not require as high a contrast ratio perhaps as > thin/elaborate/detailed fonts. > > It's a slippery slope to try and differentiate here, I'd say (as it > probably exposes shortcomings even in the current text - we've already seen > how the current definition of "large scale text" is arguably flawed, and > we've not even tackled what "bold" actually is, keeping in mind different > fonts can have wildly different visual appearances, x-heights, optical > weights, issues relating to kerning, details, etc). > > [...] > > Remember that the contrast requirements for words were not set to make >> it possible to see that there was a Word there but to be able to make >> out the individual small features in the letters so that you could tell >> one letter from another . >> > > Is this documented anywhere? On first reading, it seems strange that the > concern is to be able to see details, but that it's not really essential > that the text itself be legible (recognised as a word)? > > One area that I see you focusing on that I think is good to focus on is >> the focus indicator. It currently has a rather ineffectual definition of >> having to be "visible". This is rather meaningless because if it were >> invisible it wouldn't be a focus indicator. It needs to be highly >> visible. This is one item where the only thing we could get consensus >> on was that it be visible. We could then build techniques off of that as >> to how visible it should be and how to make it visible or more visible. >> We were not able to get any consensus for a stricter definition of >> visibility for the focus indicator. >> > > Agreed. "visible" sets the bar too low. Section 508 1194.21 (c) goes a > tiny step further in requiring a "well-defined on-screen indication of the > current focus", but even there "well-defined" is, ironically, not well > defined as a term. It would be good to get some qualitative and > quantitative definition into the spec around this aspect. > > P > > -- > Patrick H. Lauke > > www.splintered.co.uk | https://github.com/patrickhlauke > http://flickr.com/photos/redux/ | http://redux.deviantart.com > twitter: @patrick_h_lauke | skype: patrick_h_lauke > >
Received on Monday, 7 November 2016 14:00:51 UTC