- From: Jerason Banes <jbanes@gmail.com>
- Date: Wed, 12 Dec 2007 10:08:30 -0600
(I've been watching the emails fly around with great interest, but there has been a rather significant volume. You'll have to forgive me if the following question has already been answered.) It seems to me that the argument keeps coming back to the fact that H.264/AAC has patent protection available while Theora/Vorbis does not. Thanks to the efforts of the MPEG-LA, Nokia, Apple, and even Microsoft can sleep well at night. However, this raises a question in my mind. MPEG-LA is the administrator of a variety of patent portfolios. Not just the MPEG sphere of patents, but also IEEE 1394 and DVB-T. They are also working to add patent portfolios for VC-1, ATSC, DVB-H, and Bluray. Which means that they are well-equipped to provide patent administration and indemnification for a wide variety of formats. *Has anyone asked MPEG-LA if they'd be willing to provide indemnification for Vorbis/Theora?* While I understand that there is no actual patents to license at this time, a fee to MPEG-LA (enough to cover possible patents in the future + MPEG-LA's standard profit margin) for protection against submarine patents could very well solve this impasse. Any thoughts? Jerason Banes On Dec 11, 2007 3:40 PM, Ian Hickson <ian at hixie.ch> wrote: > In the absence of IP constraints, there are strong technical reasons to > prefer H.264 over Ogg. For a company like Apple, where the MPEG-LA > licensing fee cap for H.264 is easily reached, the technical reasons are > very compelling. -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://lists.whatwg.org/pipermail/whatwg-whatwg.org/attachments/20071212/c9ba65de/attachment.htm>
Received on Wednesday, 12 December 2007 08:08:30 UTC