- From: Dennis Bathory-Kitsz <bathory@maltedmedia.com>
- Date: Sat, 1 Apr 2017 13:40:27 -0400
- To: public-music-notation-contrib@w3.org
On Sat, April 1, 2017 12:57 pm, Joe Berkovitz wrote: > Yes, maybe we should mandate the "big measure" approach. I'm interested in > others' take on this (particularly my co-chairs!)' Speaking as a composer, "one big measure" is still some sort of container and therefore incorrect. I have not understood in these discussions and in existing software why the measure must be the basic consideration in encoding information. Music proceeds. If a measure-based composition is encoded, then apply the markers that determine these aspects (barlines, time signatures, etc.). Dumping the measure, it seems to me, relieves all the struggles with time signatures (such as 4/3 or 3/7) and, of course, notation systems old and new that don't use measure-like divisions at all. If a time-based system is encoded, then the container, if you need one, can be the second. If an instrument-exchange based system is encoded, the container (again, if you need one) is the exchange division. If the answer is 'none of the above', then the encoding system should be required to respect the music -- first. With no measure container, for example, having a continuous staff that changes as needed (containers, no containers, switch to time-based, directional, all on the fly) also frees the encoded notation from straight, horizontal lines (meaning no trouble encoding Wolff or Stockhausen). I'm not a coder anymore, but I see a tendency to create a system that is driven by Western music 1600-1900. Don't we already have plenty of systems that do that? It seems to me that any new system that depends on that is either mostly redundant or, with respect to the continuing development of music, destined to fail. So can the measure 'container' please be scrapped? Dennis
Received on Saturday, 1 April 2017 17:40:59 UTC