- From: Pavel Studeny <pavel.studeny@email.cz>
- Date: Tue, 4 Oct 2016 07:22:43 +0200
- To: Michael Good <mgood@makemusic.com>
- Cc: public-music-notation-contrib@w3.org
Hi, slightly different appearences of the same symbol would normally be solved by using a different font or font variant. I guess this is not the case here? Pavel On 2016-10-03 18:49, Michael Good wrote: > Hello all, > > Last Friday I was working on proposed solutions for many of the current > MusicXML 3.1 issues. You can see these proposals by looking at the In > Progress issues on GitHub > at https://github.com/w3c/musicxml/issues?q=is%3Aissue+is%3Aopen+label%3A%22In+Progress%22 > <https://github.com/w3c/musicxml/issues?q=is:issue+is:open+label:"In+Progress">. > > While working on issues 64 (SMuFL clefs), 71 (SMuFL rests), and 72 > (SMuFL octaves), I realized there were two different types of solutions > available. I would like to discuss this on the list here before adding > the proposed solutions to these 3 issues. > > These issues all involve distinguishing different glyphs that have the > same semantic meaning. In issue 64, for instance, there are at least 3 > different glyphs for representing the G clef transposed down an octave > (SMuFL glyphs gClef8vb, gClef8vbOld, gClef8vbCClef). In rest issue 71, > there are three different glyphs for quarter rests (restQuarter, > restQuarterOld, restQuarterZ). Similarly for the octave issue 72, there > are many different glyphs for representing different MusicXML > octave-shift values. > > I believe that in the large majority of cases, a single piece of music > uses just one of these glyphs as a matter of editorial style. If this is > true, we might best support these different glyphs in the MusicXML > appearance element. The appearance element is global to a MusicXML score. > > To do this we could add a new glyph element as a child element of the > appearance element. Like its sibling elements, it would have a type > attribute to indicate the type of glyph, and a text value for the actual > data - in this case, a SMuFL canonical glyph name. > > We would then document the standard glyph types and their associated > SMuFL values. However we would keep both the type attribute and the > element content as strings, not enumerations, so this could be extended > as needed. Some examples would be: > > - Type of "quarter-rest": Values include restQuarter, restQuarterOld, > restQuarterZ > - Type of "g-clef-ottava-bassa": Values include gClef8vb, gClef8vbOld, > gClef8vbCClef > - Type of "octave-shift-up-8": Values include ottava, ottavaBassa, > ottavaBassaBa, ottavaBassaVb, octaveBassa > > Other types that would be supported include c-clef, f-clef, > percussion-clef, octave-shift-down-8, octave-shift-down-15, > octave-shift-up-15, octave-shift-down-22, and octave-shift-up-22. > > Some additional work would still be done for these issue beyond this new > element. For the clef issue, we could add a new "semipitched" clef value > to handle semipitchedPercussionClef1 and semipitchedPercussionClef2. > This would support mixing semipitched and unpitched clefs within a > single piece. For the octave issue, we would also document the use of a > size of 22 for 3-octave shifts. > > The alternative solution would be to add new attributes and/or elements > to the child elements of the clef, note (either rest or type), and > octave-shift elements. That seems more complex, given the > interrelationships between the glyphs and the musical semantics. It > seems simpler to isolate the semantic combination for each glyph choice > (e.g., a sign of "G" and an octave-shift of "-1") within a new glyph > element. > > What do you think? Does handling these glyphs in the appearance element > make sense? Or do you think we do need to handle each glyph in a score > individually? If there are examples of where different types of glyphs > for the same semantics are combined in a single musical score, could you > please reference them? Is there a different way to approach these issues > than the two solutions mentioned here? > > Thank you for your help on this! > > Best regards, > > Michael Good > VP of MusicXML Technologies > MakeMusic, Inc. >
Received on Tuesday, 4 October 2016 06:34:20 UTC