- From: James Ingram <j.ingram@netcologne.de>
- Date: Tue, 24 May 2016 18:36:57 +0200
- To: Zoltan Komives <zoltan.komives@tido-music.com>
- Cc: L Peter Deutsch <lpd@major2nd.com>, public-music-notation-contrib@w3.org, Joe Berkovitz <joe@noteflight.com>, Michael Good <mgood@makemusic.com>, Jeremy Sawruk <jeremy.sawruk@gmail.com>
- Message-ID: <70f73399-7878-95c2-9455-59e20842ee9d@netcologne.de>
Hi Zoltan, All, > I encourage you to post your questions to MEI-L for further discussion. I'm going to do just that. Think of this as the way the last round of discussion ended here: We all go off and work on our own for a bit. Currently, I don't see the consensus that would be necessary for promoting this Contact Group to a W3C Working Group, so I think MNX should be put on hold until such a consensus can be reached. I'll report back here in due course. All the best, James Am 24.05.2016 um 15:34 schrieb Zoltan Komives: > Hi James, > > Thanks for your questions! These kind of discussions are normally best > placed on the MEI-L mailing list, but I am happy that questions like > this are of interest in this group too. > In answer to your questions: > 1. In short, yes. Slightly longer: MEI separates logical from gestural > domain information. In this case I think @dur.ges is the attribute you > are looking for. This can express duration in a number of different > absolute units, including seconds (to floating point precision). In > MEI by default, no restriction applies to the symbolic or temporal > length of layers, but it would certainly be possible to impose such > restrictions if they are practical and required. > 2. As far as I understand your point, this is basically already > implemented by the customization "hierarchy": mei-all allows all > possible symbols and modules with the least amount of restrictions, > while mei-cmn, mei-Mensural, and mei-Neumes define subsets. > > I encourage you to post your questions to MEI-L for further discussion. > > Zoltan > > > On Tue, May 24, 2016 at 12:34 PM, James Ingram <j.ingram@netcologne.de > <mailto:j.ingram@netcologne.de>> wrote: > > > Hi Zoltan, All, > >> Tido's recently published MEI customization >> <http://tido.github.io/mei-customization/> sparked a lively >> discussion... > and >> For more information on MEI Go! please keep an eye on the MEI-L >> mailing list for updates >> <https://lists.uni-paderborn.de/pipermail/mei-l/2016/001796.html> and >> discussions. While it may not be the solution that the Community >> Group is looking for, I would like to draw attention to this >> effort as point of reference. > > I joined the MEI-L mailing list yesterday. > MEI customization <http://tido.github.io/mei-customization/> says >> *We hope that this customisation can also be the starting point >> for a common basic MEI customisation* to be shared between >> several projects in future. We welcome comments and suggestions >> through GitHub issues. > I've decidedto post my comments and suggestions (questions > actually) here, rather than on GitHub. Please repost there and/or > to MEI-L if you think that's a good idea. > > I'm a beginner with MEI customisation, and need some help: > > Briefly: My problem with current encodings of CWMN is that they > all assume that duration symbols have fixed meanings in a score, > and that measures therefore "add up" at the symbol level. This > ignores the performance practice tradition that is always > associated with any humanly readable notation. In Mozart, for > example, the last quaver under a slur is never played in the same > way as the first. Ignoring performance practice traditions goes > back at least to the invention of the metronome in the 19th > century. I'm old enough to remember how awful the first computer > renditions of Bach sounded in the early 1980s... > I also think that the famous collapse around 1900 had more to do > with the disintegration of fixed tempi, than with the exhaustion > of harmonic possibilities. The notation collapsed because the > conventions make no sense in the absence of humanly perceptible tempo. > > Whether this analysis is correct or not is, however, immaterial. :-) > > I want to make an MEI customisation that uses most of the symbols > that are used by CWMN, but without assuming tempo. If there is no > tempo, then neither tuplets nor grace-notes make sense. It should > also be possible for the description of /more than one/ temporal > instantiation to be stored inside the XML elements that represent > the score's graphics. > I think that CWMN (as defined by both MusicXML and your project) > could be regarded as a superset of such a customisation. If the > /default/ temporal realisation of such a score defined all the > duration symbols to have fixed meanings, then <measures> could be > made to add up at the symbol level by adding tuplet symbols (as > annotations) and turning some notes into grace-notes. > > One advantage of having a tempo-less customisation would be that > lossless transcriptions of recordings can be made, without going > through "quantisation". I /compose/ with milliseconds... > > So my initial questions are: > 1. Can <measure> elements be redefined so that they do not have to > add up at the symbol level? The different <layer>s in the measure > must however add up in real time (milliseconds) in any one > temporal realisation stored in the score. > 2. Can you imagine such a hierarchy of customisations? I'm also > thinking of the container hierarchy that could become part of the > W3C standard for describing /any /polyphonic music notation. > > All the best, > James > > -- > http://james-ingram-act-two.de > https://github.com/notator > > > > www.tido-music.com <http://www.tido-music.com> > > Tido (UK) Ltd, 2–6 Baches Street, London N1 6DN, United Kingdom. > Disclaimer: The information in this e-mail including any attachments > is confidential and may be legally privileged. If you have received > this message in error, please contact the sender immediately and > delete this message and any copies from your computer and network. The > unauthorized use, distribution, copying or alteration of this e-mail > and any attachments is strictly forbidden. -- http://james-ingram-act-two.de https://github.com/notator
Received on Tuesday, 24 May 2016 16:37:43 UTC