- From: cecilios via GitHub <sysbot+gh@w3.org>
- Date: Fri, 15 Jan 2016 10:07:42 +0000
- To: public-music-notation-contrib@w3.org
Hi Bern, Thank you very much for your comments. When proposing this change I was aware of multi-metric music and of the typical Don Giovanni example. But, certainly, I was not aware of any 'barline alignment' problem. In my software, barlines are naturally aligned by the same rule used for aligning noteheads: all barlines at the same position in time must go aligned. In a multi-metric score this implies than only common barlines for all parts will be aligned. This is what human engravers have always done for years without the need to create new concepts for balines. This brings to my mind the MusicXML issue of distinguishing between left and right barlines (what are they? in music there are only barlines, and no one book on music engraving says a word about left-barlines or right-barlines!. The position of a barline, at left or are right is just an issue for a local observer, i.e. a note. Even, in MusicXML certain barlines (repetition) are splitted into two barlines!! In my opinion (just one un-informed opinion, I'm not an expert) the issue of barlines in MusicXML should be revised. Probably, as with natural languages, representation languages condition what can be easily managed and what can not. And probably the problem of 'barline alignment' that you mention and I still not see, is something related to the MusicXML barlines model. MusicXML relies on using the concept of 'measure' for organizing music. But this is a derived concept: a measure is just what is inside between two barlines. Therefore, barlines is all what is needed. The program can determine, if necessary, what is the content for a given measure. Many music notation programs are organized in the same way, around measures. Therefore, they need tricks for dealing, for instance, with music with no time signatures, typically non-visible barlines. Or, as you mention, they need tricks for dealing with music not ended in a barline. In my software, the music internal model does not need the concept of 'measure' as a primary concept and I do not find problems for aligning barlines, for dealing with multimetric music, for dealing with music without time signatures or for dealing with music without a final barline. But I do find problems for exporting MusicXML barlines: when should I export a barline as left barline or as right barline? when a barline is non-controllig? Must I artificially split a repetition barline into a left and a rigt barline? If the suppression of the 'non-controlling' attribute could cause barline alignment problems or other, please close this issue. But in that case I would appreciate clear rules for exporting this attribute. In Don Giovanni example there is only one part in 2/4 time signature, but if there were more, then all the barlines in parts in 2/4 must go aligned! Should the non-controlling attribute still be used?: * If yes, how to represent that the non-controlling attribute relates olny to parts not in 2/4 but that these non-controlling barlines must go aligned with other left barlines in parts in 2/4? * If no, this implies that the software can deal properly with multi-metric without using this attribute! MusicXML has done a great job by facilitating not only a good de-facto standard for interchanging music between notation applications, but also for grouping around its forum and working groups all the people interested in music notation representation. Thank you!!! Best regards, Cecilio -- GitHub Notification of comment by cecilios Please view or discuss this issue at https://github.com/w3c/musicxml/issues/115#issuecomment-171920551 using your GitHub account
Received on Friday, 15 January 2016 10:07:48 UTC