- From: fantasai <fantasai.lists@inkedblade.net>
- Date: Mon, 26 Sep 2016 22:31:41 -0400
- To: Martin J. Dürst <duerst@it.aoyama.ac.jp>, CJK discussion <public-i18n-cjk@w3.org>
On 09/24/2016 10:20 PM, Martin J. Dürst wrote: > Hello Fantasai, > > What I have done is download ISO-10646 (publicly available) and looked at the columns/sources. Essentially, you want a > character that shows up in all columns, with the most basic source (G0, HB1, T1, J0, K0, V1). > (G=China, H=Hong Kong, T=Taiwan, J=Japan, K=Korea, V=Viet Nam) > > On 2016/09/25 00:20, fantasai wrote: >> The CSS Inline spec has an appendix for synthesizing missing baseline >> information >> from glyph outlines of specific characters. From a comparison of several >> fonts I >> have on my system, it seems that the top and bottom bounds are best >> found using >> 丅 and 丄, > > Please be careful. 丄 doesn't appear in K or V sources, and 丅 also not in H sources. Ah, right. I meant 上 and 下! >> 回因 > > These seem okay. > >> 困 > > Seems okay. > These seem okay: >> 囚回因固圃圈國圍園圓圖團 > > I'd probably go with some of the later ones rather than 回 or 因, because as a general tendency, the more content, the higher > the chance that they are a bit wider. But please check for yourself, too. My concern as we go higher in complexity & rarity is that some fonts might leave them out. 因 is reasonably common. 回 is also common but I'm not sure that it's thought of as part of the same series, whereas I'm pretty sure 因 and 困 are linked up to the rest and would therefore share their proportions. (That said, my education in writing was quite delinquent. "Here are some random characters which are a collection of strokes with no particular relation to each other, go memorize them for next week.") ~fantasai
Received on Tuesday, 27 September 2016 02:32:28 UTC