Re: [Bug 10838] Make <u> conforming.

  On 9/30/2010 10:24 AM, Phillips, Addison wrote:
>
> I think the argument of “<b> and <i> but not <u>” is weird because it 
> is inconsistent. There are tags (<em>, etc.) for doing semantic 
> markup. These others are presentational. Ian has even used the phrase 
> “semantic fig leaf” for the inclusion of <i> and <b>. I think it’s an 
> absurdly small fig leaf. It should cover them all or it should cover 
> none of them.
>

As much as I appreciate the power of semantic markup, especially in the 
context of internationalization, I've always been baffled by the 
certainty in this discussion that every last author will have a 
fully-developed semantic view of their documents. The reality is that 
some (many) authors will only (at best) understand the intended appearance.

If you force them to use semantic markup, they'll apply it randomly 
(non-semantically) based on the visual appearance in their editing 
systems. For those cases, I'd rather have appearance based markup 
available - at least one would know that it would need to be converted 
into semantic markup before localization.

Given those aspects, the inconsistency that Addison mentions makes 
absolutely no sense.

A./
>
> Addison Phillips
>
> Globalization Architect (Lab126)
>
> Chair (W3C I18N, IETF IRI WGs)
>
> Internationalization is not a feature.
>
> It is an architecture.
>
> *From:* KangHao Lu (Kenny) [mailto:kennyluck@w3.org]
> *Sent:* Thursday, September 30, 2010 10:17 AM
> *To:* Phillips, Addison
> *Cc:* CJK discussion; WWW International
> *Subject:* Re: [Bug 10838] Make <u> conforming.
>
> Hello Addison,
>
>
>
> One form of East Asian emphasis are emphasis marks, such as Japanese 
> bouten. See: 
> http://www.w3.org/TR/2008/WD-jlreq-20081015/#en-subheading2_3_9
>
> While one might choose to use <i> or <b> tags to indicate this form of 
> emphasis (it is just emphasis, after all), using <u> might be 
> semantically closer. <i> and <b> typically are implemented via an 
> actual variation in the presentation of the text itself. <u> would 
> mean text emphasized with something drawn near it or added to it. This 
> doesn't mean that <i> can't be used to underline text (or otherwise 
> decorate it). But providing <u> does give an element whose semantic 
> meaning is closer to "text-emphasis-style" than <i> or <b> suggest.
> --
>
> Any comments on my use case? Is it a reasonable one? Or is <i> or such 
> really a better choice for this?
>
> I think based on their way of reasoning, they will ask you to use <em> 
> here, which I actually agree with. Proper noun marks are supposed to 
> be applied on *every* proper noun, so it certainly doesn't have a 
> meaning of emphasis. Of course there might be other arguments such as 
> using <em> is not intuitive, but I doubt how convincing it is.
>
> The use cases for <u> might be those existing old rules about using 
> underline in typography, such as you use underline in manuscripts for 
> texts to be italicized (I leaned this yesterday). I do think their 
> might be other weird rules around the world as weird as this proper 
> noun mark. If you do have any other example, that should be brought up.
>
> I have to say I am not a fan of <u> either. What makes me 
> uncomfortable is the inconsistency I sense here and I rather want all 
> <i> <b> <u> to get to the status of "Obsolete but conforming" 
> altogether. The editor claims that now <i> gets new semantics (the 
> meaning of alternate mood or voice), but he includes ship name as an 
> example, and I don't think you would pronounce a ship name in an 
> alternative mood or voice (am I wrong here?). Some options here:
>
> - We want <i> <b> <u> to go into "Obsolete but conforming" altogether
>
> - <i> and <b> should remove the meaning of "an offset from the normal 
> prose", so use cases such as using <i> for ship names should be 
> invalid or at least "Obsolete but conforming"
>
> FYI, in current spen <b><i> have the following definition
>
> <b>
>
> The b element represents a span of text to be stylistically offset 
> from the normal prose without conveying any extra importance, such as 
> key words in a document abstract, product names in a review, or other 
> spans of text whose typical typographic presentation is boldened.
>
> <i>
>
> The i element represents a span of text in an alternate voice or mood, 
> or otherwise offset from the normal prose, such as a taxonomic 
> designation, a technical term, an idiomatic phrase from another 
> language, a thought, a ship name, or some other prose whose typical 
> typographic presentation is italicized.
>
> I think the examples for <i> are not very culturally neutral, and I 
> don't think the current description for <b> adds any new semantics to 
> it. If listing examples is enough then we can make a list of example 
> use of <u> as well.
>
> (Side info: for the proper noun mark use case, fantasai proposed <i> 
> and Chinese folks proposed <b> cause they all have the "offset from 
> the normal prose" meaning". Well...)
>
> This topic was discussed here two years ago, right?
>