- From: Rik Cabanier <cabanier@gmail.com>
- Date: Sat, 28 Jan 2012 11:12:15 -0800
- To: Chris Marrin <cmarrin@apple.com>
- Cc: public-fx@w3.org
- Message-ID: <CAGN7qDB+=cDRdSkrB_YYJsTtyAYwcWMYnP7e=B8nuxDHHQjTHA@mail.gmail.com>
On Fri, Jan 27, 2012 at 10:55 AM, Chris Marrin <cmarrin@apple.com> wrote: > > On Jan 26, 2012, at 9:25 AM, Rik Cabanier wrote: > > Hi Chris, > > I got a reply from the Photoshop team: > > Photoshop has two algorithms for brightness / contrast, depending on > whether you turn on the "legacy" checkbox. The legacy approach is the old > naïve version of just sliding the histogram right and left or spreading it > out linearly, per channel. > > > In legacy mode, > > Brightness n adds or subtracts n to / from each channel, clamping at 0 or > 255 > > Contrast spreads or compresses the histogram linearly for each channel. > Contrast +100 makes all channel values 0 or 255. Contrast –100 makes all > channel values 127. Contrast –100 and Brightness +100 makes all channels > 227. > > > These operations can be useful for steps in analysis of images, or for > manipulating masks or in some cases for manipulating graphics, but they > tend to be horrible for photographic images, and so the first advice in > every Photoshop book for adjusting brightness and contrast on photographs > used to be "never use brightness and contrast". > > The non-legacy B&C adjustments copied Lightroom (camera raw)'s original > process version. They're curve-based and produce much better results on > photographic images. > > > > > > > > It sounds like 'legacy' mode in Photoshop matches the filters spec but it > doesn't produce good results. > I think we know have 3 options: > - use the current spec. Output is not very good + Brighten doesn't go to > white > - use the flash approach. Output is not very good but brighten goes to > white. > - get an improved algorithm, possibly based on what existing editing > software does. > > > Well, legacy mode sounds like my proposed change to the brightness filter. > The current brightness filter multiplies the amount by rgb. My proposal > adds it, which sounds like what the legacy mode of photoshop does. That is > what I've implemented in WebKit now and it gives you the results you > expect. I'm not sure which of these you're talking about (1 or 2)? > > I'd be concerned about developing a new algorithm. I understand that > editing software has more advanced, curve based approaches. But I'd be > concerned going down that path because we could easily get ratholed. What > curves do we use? How do we accelerate it? We removed gamma from the spec > for similar reasons. Hardware accelerating non-linear transforms is > difficult. It seems reasonable to let more advanced editing be done offline > and keep the CSS filters simple. > > I agree. Your current approach is reasonable. (= option 1) We can always add a better one later. Rik
Received on Saturday, 28 January 2012 19:12:48 UTC