- From: Lars Borg <borg@adobe.com>
- Date: Sat, 20 May 2017 06:52:49 +0000
- To: Pierre-Anthony Lemieux <pal@sandflow.com>, Fredrik Hubinette <hubbe@google.com>
- CC: Chris Lilley <chris@w3.org>, "public-colorweb@w3.org" <public-colorweb@w3.org>
Isn’t the intent that 80 nits is to be used in a reference monitor situation? And if I make my display brighter, everything scales with it. So a 300 nit SDR TV is 3x reference, thus make everything 3x brighter? Lars On 5/19/17, 6:20 PM, "Pierre-Anthony Lemieux" <pal@sandflow.com> wrote: > Hi Fredrik, > >> I think it's confusing >> to suggest that sRGB is 80 nits since almost all monitors in use today >>are >> brighter than that. > > A default of sRGB 80 nits peak white was chosen as the default in >TTML2 because it is always safe when compositing subtitles onto full >screen video: it is particularly jarring when subtitles are much >brighter than the picture! > >In practice, subtitles are typically presented around 400 nits when >composited onto PQ content, i.e. luminanceGain = 4, with occasional >exceptions that are content dependent. > >A default of sRGB 80 nits peak white might not be the right answer for >general UI/web page work. > >> > Would it be possible to drop the 80 lumens and just say that >>luminanceGain = >> 2 is twice as bright >> as the default? > >What do you mean by "default"? Is the suggestion that, by default, >sRGB peak white be mapped to 160 nits? > >Best, > >-- Pierre > >On Fri, May 19, 2017 at 6:40 PM, Fredrik Hubinette <hubbe@google.com> >wrote: >> The TTLML2 gain value seems like a good idea. It is imilar in some >>sense to >> the wording >> for how to deal with floats outside of 0-1 in the canvas-color-space. >> However, I think it's confusing >> to suggest that sRGB is 80 nits since almost all monitors in use today >>are >> brighter than that. It seems >> like the tts:luminanceGain wording would lock legacy elements at 80 nits >> (aka "dark and dreary"). >> >> Would it be possible to drop the 80 lumens and just say that >>luminanceGain = >> 2 is twice as bright >> as the default? >> >> If we really need a way to match how PQ works, it might be better to >>have an >> absoluteLuminance >> tag instead. But personally I would prefer not to deal with absolute >> luminance as that is not compatible >> with how I use my TV and monitor. >> >> /Hubbe >> >> On Fri, May 19, 2017 at 3:30 PM, Pierre-Anthony Lemieux >><pal@sandflow.com> >> wrote: >>> >>> Hi Frederik et al., >>> >>> > Since non-HDR images are all in screen-relative brightness, it's >>> > impossible to make an PQ image >>> > which looks the same as a non-HDR image. >>> >>> One approach is to specify an (optional) gain value to scale the SDR >>> image before compositing it onto HDR images. >>> >>> This is the approach taken in recent TTML2 [1] draft, and has the >>> advantage of giving the author control because, sometimes, the white >>> point of the SDR image should be at 80/100 nits. >>> >>> [1] >>> >>>https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fw3c.git >>>hub.io%2Fttml2%2Fspec%2Fttml2.html%23style-attribute-luminanceGain&data= >>>02%7C01%7C%7C2fba752906a349f2678608d49f378d58%7Cfa7b1b5a7b34438794aed2c1 >>>78decee1%7C0%7C0%7C636308508321186664&sdata=igxWqDbB0Q75ZJUQdf88JAb1Hm%2 >>>BvM964enDL8jCWpDw%3D&reserved=0 >>> >>> > Suddenly all legacy apps become dark and gray, as windows translates >>> > them to 80 nits. >>> >>> Using 80 nits as the default white point for SDR images is certainly >>> safe and conservative, but not appropriate in all cases. I think this >>> is an industry discussion, which hopefully we can have. >>> >>> Hope this makes sense. >>> >>> Best, >>> >>> -- Pierre >>> >>> On Fri, May 19, 2017 at 2:55 PM, Fredrik Hubinette <hubbe@google.com> >>> wrote: >>> > While ICCMax does have proper ways to describe PQ, it seems to do so >>>in >>> > a >>> > way that is not easy to understand and implement. Recent work to >>> > support >>> > ICC profiles in chrome has focused on ICC version 2, because ICC >>>version >>> > 4.x >>> > is too difficult to implement efficiently, and ICCMax looks much more >>> > difficult. Since we don't know what the uptake on ICCMax will look >>>like, >>> > having a special bit for HDR content might not be a bad idea. >>>(However, >>> > the >>> > proposed magic string solution doesn't sound like a good idea.) >>> > >>> > Another problem altogether is that PQ as a transform is defined in >>> > absolute >>> > lumens. Since non-HDR images are all in screen-relative brightness, >>>it's >>> > impossible to make an PQ image which looks the same as a non-HDR >>>image. >>> > To >>> > observe this problem in practice, hook up a recent Win10 machine >>>with an >>> > HDR-capable graphics card to an HDR-capable tv and turn on HDR. >>> > Suddenly >>> > all legacy apps become dark and gray, as windows translates them to >>>80 >>> > nits. >>> > Most people quickly turn HDR off again. >>> > >>> > A better solution is probably to use hybrid-log-gamma, which uses >>> > screen-relative brightness. I'm not sure if there is an ICC(Max) >>>profile >>> > that describes HLG accurately though. >>> > >>> > /Fredrik "Hubbe" Hubinette (Chrome HDR Video) >>> > >>> > >>> > On Thu, May 18, 2017 at 8:04 PM, Lars Borg <borg@adobe..com> wrote: >>> >> >>> >> Hi Chris, >>> >> >>> >> I assume you’re looking at the profile that I created. >>> >> The profile was designed to provide a transform to/from Rec.2100 PQ >>>to >>> >> XYZ >>> >> D50. >>> >> The only descriptive metadata included is the profile description, >>>as >>> >> that’s what’s being displayed in profile menus, etc. >>> >> No effort was made to add other descriptive metadata, as no such was >>> >> asked >>> >> for. >>> >> >>> >> Elaborating on some of the ICC constraints that you’re observing. >>> >> >>> >> The first thing I noticed is that there are no colorant tags to >>> >> indicate >>> >> the primaries used. >>> >> >>> >> The colorant tag will not be used by the CMM. >>> >> One tricky thing is that the colorant values in this tag will not >>>match >>> >> the Rec. 2100 spec. >>> >> The colorant XYZ value has to be in PCS space, so it has to be >>> >> chromatically adapted to D50. >>> >> >>> >> There is a chromaticityType tag that can indicate the unconverted xy >>> >> chromaticities from the Rec. 2100 spec. >>> >> Probably more useful. >>> >> The chromaticityType tag will not be used by the CMM. >>> >> This is purely descriptive metadata. >>> >> >>> >> Although the specification itself does list the chromaticities of >>>the >>> >> 2020 >>> >> primaries, they are not in the ICC profile. >>> >> >>> >> They are embedded in the matrices in the A2B and B2A tags. >>> >> >>> >> The second thing I noticed was that the lumi tag indicates a peak >>> >> luminance of 100 cd/m^2 which does not sound like HDR at all. >>> >> >>> >> True. >>> >> It’s not clear from the ICC spec that the lumi tag shall express >>>peak >>> >> luminance. >>> >> It is here set to match the luminance of the PCS white point. >>> >> A PQ value of 508, 508, 508 (/1023) corresponds to 100 nits. >>> >> This is also the reference SDR diffuse white, and was selected as >>>the >>> >> PCS >>> >> white point for cross-media conversion. >>> >> The reason: >>> >> ICC profiles are used for converting between SDR and HDR. >>> >> No established practice exists for mapping colors between HDR and >>>SDR. >>> >> Reference white for SDR in the studio is 100 nits. >>> >> But many consumer SDR displays operate at 300 nits, so some existing >>> >> programs put diffuse white in HDR at 300 nits. >>> >> So the desired crossover between SDR and HDR is at 100 or 300 nits, >>> >> definitely not at 1000 or 10,000 nits. >>> >> Time will tell. >>> >> >>> >> There are A2B0 and B2A0 tags for the transfer functions. The B >>>curve is >>> >> linear, the M curve has a gamma of 5 and there is a slightly >>>sigmoidal >>> >> A >>> >> curve. I am not able to tell whether this correctly represents the >>> >> BT.2100 >>> >> EOTF and would appreciate guidance here. >>> >> >>> >> The dynamic range of the PQ curve (10^9) far exceeds the U16 code >>>range >>> >> available in an ICC sampled curves. >>> >> The high gamma in the M curve expands the dynamic range of the >>>sampled >>> >> A >>> >> curve. (Established practice) >>> >> Thus, the A curve has a dynamic range of <100. This allows for >>>almost 3 >>> >> significant digits in the low end. >>> >> This results in a more accurate transform. >>> >> >>> >> Eek! It looks as if a magic string is used to signal the image >>> >> contents, >>> >> and that string is the name of the ICC profile. Not only are the >>>gamma >>> >> and >>> >> chromaticity to be ignored, but also the contents of the ICC >>>profile. >>> >> >>> >> Agreed. That looks horrible. >>> >> >>> >> It seems clear that a vastly better way to encode BT.2100 still >>>images >>> >> in >>> >> PNG would be to embed an ICCMax profile that correctly describes the >>> >> EOTF >>> >> and the primary chromaticities, and has a correct peak luminance >>>value. >>> >> I >>> >> assume that the flaws noted above are due to limitations of ICC v.4? >>> >> >>> >> Any obvious drawbacks of my proposed approach? >>> >> >>> >> Have you created such an ICCMax profile? >>> >> How do you encode PQ EOTF? >>> >> >>> >> 1. I assume the profile is to be used for color conversions, and not >>> >> only >>> >> to signal a color space. The current profile works in tested >>> >> contemporary >>> >> CMMs and apps. Those same CMMs fail on ICCMax profiles. I am not >>>aware >>> >> of >>> >> any plans to change that. >>> >> 2. No way to map the content to SDR media as the 10,000 nits value >>>is >>> >> useless for this. The current ICC profile provides a fallback for >>>SDR >>> >> on >>> >> existing systems. >>> >> 3. Did you find any flaws related to ICC v4? It seems the mismatch >>> >> between >>> >> your expectations and the current implementation are not due to >>>flaws >>> >> in ICC >>> >> v4, so we can simply update the ICC profile to address your needs. >>> >> >>> >> How about adding descriptive metadata tags to a v4.2 profile? >>> >> The chromaticityType tag is already in the ICC standard. >>> >> Not sure how to indicate an EOTF in ICC. >>> >> Maybe the best is to indicate color and EOTF by name or enum >>>instead of >>> >> by >>> >> value? >>> >> HEVC, etc. have adopted enumerations for a closed set of color tags. >>> >> Here >>> >> the values would be 9,16,0. >>> >> >>> >> Lars >>> > >>> > >> >>
Received on Saturday, 20 May 2017 06:53:28 UTC