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Fwd: minutes, SVG WG Seattle F2F 2011 day 3 - SVG Color

From: Rik Cabanier <cabanier@gmail.com>
Date: Wed, 3 Aug 2011 12:44:43 -0700
Message-ID: <CAGN7qDCkqhTQzNQ3-3-Td6+Xy9FkoKNRctzMwoPNNKbugOz_yw@mail.gmail.com>
To: www-svg <www-svg@w3.org>
On Wed, Aug 3, 2011 at 1:51 AM, Nick Hofstede <
Nick.Hofstede@inventivegroup.com> wrote:

>  How do I match the black? By using the same black as in the image. Youíre
> right that I need to know the color profile used in the image, but that
> isnít unlikely.
>
> The image might be sRGB, so I might just specify #000 for the color of the
> underlying rectangle. Or it might be that my shop standardized on a certain
> CMYK profile for the images. Or I might find out what profile the image
> uses. Point is that I want the same black-preservation setting for the image
> as the underlying black rectangle in this case, which isnít the decision an
> automatic algorithm would make.
>

We're mixing up color management and black preservation here.
Maybe we need to discuss what should happen in a CMS workflow and why black
preservation is needed.

Another item I want to mention, is that there is a lot missing in SVG to
make it a suitable format for prepress.
True CMYK, spot, DeviceN, overprint, transparency blend spaces and a better
model for icc are just a start to what's needed.


>
>
> The eyedropper trick might not even work if the image is letís say cmyk
> swop and Iím outputting to cmyk fogra. The conversion between 0,0,0,1 swop
> and fogra with preserve-black on is different from the conversion with
> preserve-black off.
>

It will work if your source elements all have the same profile.
That way all your content will be color managed the same way during the swop
to fogra color link.
(This is the 'convert to destination workflow' in InDesign where your
document profile is swop and destination profile is fogra)


>
>
> Why do I want my images to use rich black? Imagine an image of Tinkerbel on
> a black background. Tinkerbel, being a fairy, has a halo around it which is
> a gradient from light-green to black. You donít want the gradient to switch
> from a mix of different colors and gradually more and more black to just
> black as soon as the gradient hits #000. This transition would be noticeable
> in the image as the black only is probably a bit lighter than the
> (supposedly lighter) pixel next to it which is a mix of black and a bit of
> other colors. There is a good reason for why your automatic algorithm
> chooses rich black for images.
>

I'm not sure if this is needed.
I know for a fact that gradients that use NChannel color going from black to
spot just interpolate linearly between the two values in Illustrator and
InDesign.


>
>
> Lcms2 implemented this an extension, I donít believe itís part of ICC
> (yet?). Not sure how he does it, that part is black magic to me (no pun
> intended). Somehow though there is a special case that avoids adding cmy
> components when black and grays are converted to a cmyk profile.
>
>
>
> Iím not sure ďpreserve numbersĒ is what you need. The way I read it, this
> just disables color management. Sure, plain black will be preserved, but so
> will all the other color values, and my SWOP cmyk image wonít look very good
> on my FOGRA calibrated printer Ö
>

from the online documentation:
Convert to Destination (Preserve Numbers): Converts colors to the
destination profile space only if they have embedded profiles that differ
from the destination profile (or if they are RGB colors, and the destination
profile is CMYK, or vice versa). Untagged color objects (those without
embedded profiles) and native objects (such as line art or type) are not
converted. This option is not available if color management is off. Whether
the profile is included or not is determined by the Profile Inclusion
Policy.


>
>
> With kind regards,
>
>
>
> Nick Hofstede
>
>
>
> *From:* Rik Cabanier [mailto:cabanier@gmail.com]
> *Sent:* dinsdag 2 augustus 2011 18:14
>
> *To:* Nick Hofstede
> *Cc:* www-svg@w3.org
> *Subject:* Re: minutes, SVG WG Seattle F2F 2011 day 3 - SVG Color
>
>
>
> Hi Nick,
>
>
>
> how would you match the black in the background with the black in the
> image? You might not know what profile was used to create the image.
>
> I think the website is warning you not to rely on Photoshop's black when
> you do CMYK. This is really a design error.
>
> If you can't fix the image, you could use the eyedropper to get the numbers
> and match the border with the rich black. Hopefully nothing else will touch
> that box :-)
>
>
>
> Can you tell me what you mean by:
> > That way any gradient in the image (the example image doesnít really have
> one, but imagine a picture that fades to black on the edges) is nice and
> continuous.
> How would rich black help with that?
>
>
>
> > Lcms2 added this extra option (no-preservation, black only, black-plane)
> by duplicating its intents
> Reading the comments, I don't really understand how this feature works. Is
> this done just through ICC?
>
> InDesign introduced a way of doing this a couple of releases ago. They call
> this feature "preserve numbers". see
> http://indesignsecrets.com/getting-accurate-colors-when-printing-proofs-from-indesign.php
> .
>
> That page also has a short description how InDesign handles CMYK values.
>
>
>
> Rik Cabanier
>
> Adobe Systems, Inc
>
>
>
> On Tue, Aug 2, 2011 at 12:14 AM, Nick Hofstede <
> Nick.Hofstede@inventivegroup.com> wrote:
>
> No, the profile on the image is correct. I want the image to use rich
> black. That way any gradient in the image (the example image doesnít really
> have one, but imagine a picture that fades to black on the edges) is nice
> and continuous.
>
> Therefore, if I put the image on a black background or want to put a black
> border on it, I want that black to be rich black as well.
>
> If weíre going to decide automatically that all solid filled black (and
> presumably gray) shapes and strokes will use preserve-black, this isnít
> going to happen.
>
> Thatís why I think we need an extra switch for the preserve black option.
>
> Lcms2 added this extra option (no-preservation, black only, black-plane) by
> duplicating its intents, but an optional switch seems cleaner to me. (
> http://sourceforge.net/apps/trac/mpc-hc/browser/trunk/src/thirdparty/lcms2/src/cmscnvrt.c?rev=3024see DefaultIntents[])
>
>
>
> Nick Hofstede
>
> R&D Manager
>
> *From:* Rik Cabanier [mailto:cabanier@gmail.com]
> *Sent:* maandag 1 augustus 2011 19:26
> *To:* Nick Hofstede
> *Cc:* www-svg@w3.org
> *Subject:* Re: minutes, SVG WG Seattle F2F 2011 day 3 - SVG Color
>
>
>
> Hi Nick,
>
>
>
> I think this is a case where you want to ignore the profile that is
> attached to the image and swap it out with the destination profile instead.
>
>
>
> There was a discussion at the f2f why we would need to swap out the
> attached profile. This seems to be a valid use-case for such a feature.
>
>
>
> Rik Cabanier
>
>
>
> On Mon, Aug 1, 2011 at 12:07 AM, Nick Hofstede <
> Nick.Hofstede@inventivegroup.com> wrote:
>
> Quick note on the black preservation:
>
>    ChrisL: last issue is preserving black.
>    ... For example, in ICC if you specify cmyk(0,0,0,1),
>    color-management systems tend to have a switch that specially treats
>    that value.
>    ... So even if the system does color-manipulation normally, that one
>    color will instead stay solid, total black.
>    ... This is so black text stays pure black and doesn't mix in other
>    colors.
>    ... So, similarly, we need to see if we need it, and see if it's an
>    input or output feature.
>
>    cabanier: We have it in InDesign, and it's an output feature there.
>    ... So we have some special cases there again; you don't want to
>    preserve black on an image.
>
>    ChrisL: So that's basically actually being an input feature.
>
>    heycam: Does it make sense to have this controllable on images, or
>    if we can magically just apply it to solid-color fills and strokes?
>    ... Also, if you have some colored shapes which are composited
>    together, and you happen to get black out of that, should that be
>    preservable?
>
>    TabAtkins_: So it sounds like we can just specify that solid-color
>    strokes and fills automatically preserve black, and nothing else
>    does. It can be applied on output, and doesn't need to be specified
>    on input.
>
>    cabanier: So we look at the operator on printing - if a shape is
>    filled with an image or gradient, we don't preserve black. If it's
>    filled with a color, we preserve.
>
>    TabAtkins_: So if you composite a partially-transparent gradient
>    over a black rectangle, you wouldn't preserve the black in it.
>
>    heycam: So basically, for any image, track if the result color comes
>    partially from a gradient or image. If so, don't preserve black;
>    otherwise, preserve it.
>
>    TabAtkins_: So it sounds like we can do this automatically at the
>    end, and thus don't need a property for it.
>
>    heycam: And in PDF, it's not controllable; it just happens
>    automatically.
>
> I'm not sure automatically deciding when to use black preservation is a
> good idea. I don't think you can always deduce it automatically and I think
> you should therefore be able to specify it.
> Consider the use case talked about here for example:
>
> http://www.blog.spoongraphics.co.uk/articles/the-ultimate-guide-to-designing-with-black
> If you would create this in SVG your underlying rectangle would become
> black-preserved black, and the black from the image would be rich black.
> You're going to want to be able to trigger rich black on the solid-color
> fill.
>
> With kind regards,
>
> Nick Hofstede
>
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Received on Wednesday, 3 August 2011 19:45:18 GMT

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